{"product_id":"sleater-kinney-no-cities-to-love","title":"Sleater-Kinney - No Cities to Love","description":"\u003cp data-mce-fragment=\"1\"\u003e\"We sound possessed on these songs,\" says guitarist\/vocalist Carrie Brownstein about Sleater-Kinney's eighth studio album,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eNo Cities to Love\u003c\/i\u003e. \"Willing it all--the entire weight of the band and what it means to us--back into existence.\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe new record is the first in 10 years from the acclaimed trio--Brownstein, vocalist\/guitarist Corin Tucker, and drummer Janet Weiss--who came crashing out of the '90s Pacific Northwest riot grrrl scene, setting a new bar for punk's political insight and emotional impact. Formed in Olympia, WA in 1994, Sleater-Kinney were hailed as \"America's best rock band\" by Greil Marcus in\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eTime Magazine\u003c\/i\u003e, and put out seven searing albums in 10 years before going on indefinite hiatus in 2006.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBut the new album isn't about reminiscing, it's about reinvention--the ignition of an unparalleled chemistry to create new sounds and tell new stories. \"I always considered Corin and Carrie to be musical soulmates in the tradition of the greats,\" says Weiss, whose drums fuel the fire of Tucker and Brownstein's vocal and guitar interplay. \"Something about taking a break brought them closer, desperate to reach together again for their true expression.\" The result is a record that grapples with love, power and redemption without restraint. \"The three of us want the same thing,\" says Weiss. \"We want the songs to be daunting.\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eProduced by long-time Sleater-Kinney collaborator John Goodmanson, who helmed many of the band's earlier albums including 1997 breakout set\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eDig Me Out\u003c\/i\u003e,\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eNo Cities to Love\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003eis indeed formidable from the first beat. Lead track \"Price Tag\" is a pounding anthem about greed and the human cost of capitalism, establishing both the album's melodic drive and its themes of power and powerlessness--giving voice, as Tucker says, to those who \"struggle to be heard against the dominant culture or status quo.\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"Bury Our Friends\" has Tucker and Brownstein joining vocal forces, locking arms to defeat a pressing fear of insignificance. It's also emblematic of the band's give and take, and commitment to working and reworking each song until it's as strong as it can be. \"'Bury Our Friends' was written in the 11th hour,\" says Tucker. \"Carrie had her great chime-y guitar riff, but we had gone around in circles with how to make that part into a cohesive song. I think Carrie finally cracked the chorus idea and yelled, 'Sing with me!'\" \"A New Wave\" similarly went through many iterations during the writing process, with five or six potential choruses, before crystallizing. It enters with an insistent guitar riff, and a battle between acceptance and defiance--\"Every day I throw a little party,\" howls Brownstein, \"but a fit would be more fitting.\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe album's meditative title track was inspired by the trend of atomic tourism and its function as a metaphor for someone enthralled and impressed by power. \"That form of power, that presence, is not only destructive it's also hollowed-out, past its prime,\" says Brownstein. \"The character in that song has made a ritual out of seeking structures and people in which to find strength, yet they keep coming up empty.\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSleater-Kinney's decade apart made room for family and other fruitful collaborations, as well as an understanding of what the band's singular chemistry demands. \"Creativity is about where you want your blood to flow, because in order to do something meaningful and powerful there has to be life inside of it,\" says Brownstein. \"Sleater-Kinney isn't something you can do half-assed or half-heartedly. We have to really want it. This band requires a certain desperation, a direness. We have to be willing to push because the entity that is this band will push right back.\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"The core of this record is our relationship to each other, to the music, and how all of us still felt strongly enough about those to sweat it out in the basement and to try and reinvent our band,\" adds Tucker. With\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eNo Cities to Love\u003c\/i\u003e, \"we went for the jugular.\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e1 Price Tag\u003cbr\u003e2 Fangless\u003cbr\u003e3 Surface Envy\u003cbr\u003e4 No Cities to Love\u003cbr\u003e5 A New Wave\u003cbr\u003e6 No Anthems\u003cbr\u003e7 Gimme Love\u003cbr\u003e8 Bury Our Friends\u003cbr\u003e9 Hey Darling\u003cbr\u003e10 Fade\u003c\/p\u003e","brand":"Sub Pop","offers":[{"title":"Default Title","offer_id":41819781955758,"sku":"098787110012","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/files\/sk_caf3a57b-5c13-451d-88fd-4dfe63c4fcec.jpg?v=1693333225","url":"https:\/\/morrowrecords.com\/products\/sleater-kinney-no-cities-to-love","provider":"Morrow Records","version":"1.0","type":"link"}