{"product_id":"chat-pile-who-loves-the-sun-ltd-ed-baby-blue-vinyl","title":"Chat Pile - Who Loves the Sun [Ltd Ed Baby Blue Vinyl]","description":"\u003cp\u003eIn a world increasingly shaped by disposable content, Chat Pile answer with something defiantly real and organic, a mentality that permeates \u003cem\u003eWho Loves The Sun\u003c\/em\u003e, their third full-length record. Since the band's formation just over six years ago, the Oklahoma City-based quartet Chat Pile has grown from a scrappy passion project into one of the defining heavy acts to emerge from the 2020s underground. Ray B. (vocals), L. Manhole (guitar), Stin (bass), and Cap'n Ron (drums) create a crushing, crass, and cathartic take on noise rock that captures a raw, undeniably human essence in an age marked by technological overreach and the cold state of society. Nothing about \u003cem\u003eWho Loves The Sun\u003c\/em\u003e feels synthetic. Whereas their debut album \u003cem\u003eGod's Country\u003c\/em\u003e depicted a particularly American flavor of dread, and the follow up \u003cem\u003eCool World\u003c\/em\u003e showed a cruel planet defined by global systemic violence, \u003cem\u003eWho\u003c\/em\u003e Loves \u003cem\u003eThe Sun\u003c\/em\u003e peels the skin back on how collective indifference defines this new century. Spanning imagery of coastlines devouring cities, dead-end jobs, and submission to data-driven inauthenticity, the album dissects the apathy-bloated state of 21st-century existence as a slow-motion apocalypse. As with much of Chat Pile's work, Oklahoma City itself looms over the album like a character, it's sprawling isolation, economic contradictions, and underlying sense of decay embedded in the fabric of the record. The perfect allegory for the thematic essence of \u003cem\u003eWho Loves The Sun \u003c\/em\u003eis the photo embossed on the record's cover, where Devon Tower, a glassy, largely vacant monolith, looms high above the Oklahoma City skyline while a burnt-out home or storefront envelops the foreground. The album remains lyrically and sonically confrontational, but Chat Pile approached the songwriting with hooks in mind, drawing on melodic tones of pre-2000s indie rock, alt-rock, and new wave. From the blood-soaked vocal passages of \"Christabel '26\" to the eerie trip-hop pulse of \"Same Rules,\" \u003cem\u003eWho Loves The Sun \u003c\/em\u003eis deeply human despite it's allusions to a dying, divided.\u003c\/p\u003e\n\u003cp\u003e1 Creature\u003cbr\u003e2 Deep Blue\u003cbr\u003e3 Same Rules\u003cbr\u003e4 Pen I S Mall\u003cbr\u003e5 Shrine\u003cbr\u003e6 Intruder\u003cbr\u003e7 Christabel '26\u003cbr\u003e8 Influence\u003cbr\u003e9 Family Funeral\u003cbr\u003e10 October All the Time\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Alliance","offers":[{"title":"Default Title","offer_id":49299883950254,"sku":"769152437736","price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/files\/4521865-3617456.jpg?v=1788473315","url":"https:\/\/morrowrecords.com\/products\/chat-pile-who-loves-the-sun-ltd-ed-baby-blue-vinyl","provider":"Morrow Records","version":"1.0","type":"link"}