{"title":"Audiophile","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePLEASE NOTE:\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWe have a strict one-copy-per-item limit\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e. We will not sell you multiple copies of the same record. This cuts down on scalpers and helps assure that more customers have an opportunity to find what they want. If you place an order for multiple copies of the same item, we will edit the order on our end and refund you for any and all extra copies.\u003c\/span\u003e","products":[{"product_id":"abbey-lincoln-abbey-is-blue-180g-all-analog-audiophile-pressing","title":"Abbey Lincoln - Abbey is Blue [180G\/ All-Analog Audiophile Pressing]","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eAbbey Is Blue\u003c\/em\u003e\u003c\/strong\u003e, the landmark 1959 album from the legendary jazz vocalist\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbbey Lincoln\u003c\/strong\u003e, returns to\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e180g vinyl LP\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ein a\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003enewly remastered\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003eedition with single Tip-On jacket packaging courtesy of Craft Recordings. Originally released as Lincoln's fourth and final recording with Riverside Records,\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eAbbey is Blue\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003etook a stark turn from her earlier releases, which typically consisted of standards from the Great American Songbook.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs the title suggests,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eAbbey Is Blue\u003c\/em\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003efinds the singer solemn and reflective. Her vocal talents, meanwhile, are on display, as Lincoln soulfully embodies the lyrical content of her songs. Lincoln handpicked each of the songs on the album, including the Kurt Weill\/Langston Hughes-penned \"Lonely House,\" from the 1946 opera\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eStreet Scene,\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ethe cutting theme to the 1928 silent film\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eLaugh, Clown, Laugh\u003c\/em\u003e, and Mongo Santamaría's jazz standard, \"Afro Blue,\" featuring lyrics by Oscar Brown. Lincoln, a talented songwriter in her own right, also included one of her original compositions, \"Let Up.\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe songs on\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eAbbey Is Blue\u003c\/em\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003elamented the injustices that were happening across the country – particularly towards Black Americans. Just one year later, Lincoln, who was a passionate civil rights activist, offered an even bolder statement alongside her husband,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMax Roach\u003c\/strong\u003e, on the incendiary\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eWe Insist! Max Roach's Freedom Now Suite\u003c\/em\u003e. Roach also appears on\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbbey Is Blue\u003c\/strong\u003e\u003c\/em\u003e, along with such talented players as\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eKenny Dorham, Stanley Turrentine, Philly Joe Jones, Wynton Kelly,\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eSam Jones\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn his original liner notes for\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbbey Is Blue\u003c\/strong\u003e\u003c\/em\u003e, Riverside co-founder\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOrrin Keepnews\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e(who co-produced the album) proclaimed, \"It is certainly the best singing by far that Abbey has done on record, and I think now – as I did much of the time while it was being recorded – that it stands up as among the most effective and moving albums that any singer has created in a long time.\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFeatures\u003c\/strong\u003e:\u003cbr data-mce-fragment=\"1\"\u003e• 180g vinyl LP reissue from Craft Recordings\u003cbr data-mce-fragment=\"1\"\u003e• Featuring Max Roach, Kenny Dorham, Stanley Turrentine, Philly Joe Jones, Wynton Kelly and Sam Jones\u003cbr data-mce-fragment=\"1\"\u003e• All-analog mastering from the original tapes by Kevin Gray at Cohearent Audio\u003cbr data-mce-fragment=\"1\"\u003e• Pressed at RTI\u003cbr data-mce-fragment=\"1\"\u003e• Single Tip-On jacket packaging\u003c\/p\u003e","brand":"AMS","offers":[{"title":"Default Title","offer_id":41819680342190,"sku":"888072227095","price":26.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/products\/abbey_is_blue.jpg?v=1633235721"},{"product_id":"allen-toussaint-life-love-and-faith","title":"Allen Toussaint - Life, Love and Faith [180G\/ Speakers Corner All-Analogue Audiophile Pressing]","description":"\u003cp\u003e\u003cstrong\u003e180g Vinyl LP Reissue Remastered Using Pure Analogue Components Only from the Master Tapes Through to the Cutting Head!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllen Toussaint\u003cspan\u003e \u003c\/span\u003ehad it all around him – the voices and spirits of black music, rhythm 'n' blues, funk and soul. He was born in New Orleans and grew up there, the birthplace of jazz. Starting in 1960, he worked as a record producer and an A\u0026amp;R man at Minit Records, an independent label, which was closely associated with the transformation of the New Orleans Sound. His compositions for fellow musicians landed them in the charts, he frequently participated by performing with them on the piano, and so became a connoisseur and master of all possible sounds.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLife, Love And Faith\u003c\/em\u003e marks his launch into his solo career, and quite rightly so. In the songs, Toussaint amalgamates all he had mastered with a rocking R\u0026amp;B, funky rhythms and expressive soul to create his highly personal sound. Although it is a soul album through and through, one has the feeling that one is listening to an album from Reprise's stable of singers\/songwriters – including such artists as Randy Newman, Bonnie Raitt, Little Feat and Joni Mitchell – rather than what usually came out of New Orleans in the early-70s. And also because\u003cem\u003e Life, Love And Faith\u003c\/em\u003e captures an eccentric genius who pursues his own idiosyncratic vision. It is a structured, multi-layered album, which does not show Toussaint in his purest form, but it is his only album that shows just how widely ranged and profound his many talents were.\u003c\/p\u003e\n\u003cp\u003eThis Speakers Corner 180g vinyl LP reissue was remastered using pure analogue components only, from the master tapes through to the cutting head.\u003c\/p\u003e\n\u003cp\u003eMusicians:\u003cbr\u003eAllen Toussaint, piano, guitar \u0026amp; harmonica\u003cbr\u003eAlvin Thomas, tenor saxophone\u003cbr\u003eFrancis Rousselle, trumpet\u003cbr\u003eClyde Kerr, trumpet \u0026amp; French horn\u003cbr\u003eGeorge Plummer \/ Vincent Toussaint, guitar\u003cbr\u003eWalter Payton, bass\u003cbr\u003eJoe Lambert \/ Joseph Modeliste, drums\u003cbr\u003eThe Meters\u003c\/p\u003e\n\u003cp\u003eVictims Of The Darkness\u003cbr\u003eAm I Expecting Too Much\u003cbr\u003eMy Baby Is The Real Thing\u003cbr\u003eGoin' Down\u003cbr\u003eShe Once Belonged To Me\u003cbr\u003eOut Of The City (Into Country Life)\u003cbr\u003eSoul Sister\u003cbr\u003eFingers And Toes\u003cbr\u003eI've Got To Convince Myself\u003cbr\u003eOn Your Way Down\u003cbr\u003eGone Too Far\u003cbr\u003eElectricity\u003c\/p\u003e","brand":"Music Direct","offers":[{"title":"Default Title","offer_id":41819673985198,"sku":"4260019716118","price":45.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/files\/toussaint.jpg?v=1683755355"},{"product_id":"analogue-productions-the-ultimate-analogue-test-lp","title":"Analogue Productions - The Ultimate Analogue Test LP","description":"\u003cdiv class=\"col-lg-9 LimitContentHeightMn\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Longstanding Reference in Test Discs: Analogue Productions' Award-Winning \u003cem data-mce-fragment=\"1\"\u003eThe Ultimate Analog Test LP\u003c\/em\u003e Is True to Its Name, Includes Tracks to Adjust Azimuth, VTA, Frequency, and More\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAnalogue Productions set out to produce the ultimate test record. And suffice it to say, the company succeeded. It consulted many experts in the field, including mastering engineers, audio experts, turntable experts, and audiophile listeners, to create a test record that would stand the test of time. \u003cspan style=\"letter-spacing: 0px;\" data-mce-fragment=\"1\" data-mce-style=\"letter-spacing: 0px;\"\u003eMost  test records in the past have been made to test a variety of equipment. \u003cem data-mce-fragment=\"1\"\u003eThe Ultimate Analog Test LP\u003c\/em\u003e excludes silly cannon shots, typewriters, voices on one channel, and other useless fluff. Rather, \u003c\/span\u003e\u003cem style=\"letter-spacing: 0px;\" data-mce-fragment=\"1\" data-mce-style=\"letter-spacing: 0px;\"\u003eThe Ultimate Analog Test LP \u003c\/em\u003e\u003cspan style=\"letter-spacing: 0px;\" data-mce-fragment=\"1\" data-mce-style=\"letter-spacing: 0px;\"\u003especifically addresses your turntable and cartridge. It’s designed to provide the basic test signals necessary to calibrate a turntable or cutting lathe as simply as possible. Please see below for all of the specific adjustment, reference, and test tracks that cover everything from azimuth to VTA to frequencies. \u003c\/span\u003e\u003cspan style=\"letter-spacing: 0px;\" data-mce-fragment=\"1\" data-mce-style=\"letter-spacing: 0px;\"\u003eMastered and cut on a Neumann VMS 80 lathe at Sterling Sound and pressed at QRP on high-quality, 180-gram virgin vinyl, this is a must-have for everyone with a turntable.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e \u003cem style=\"font-weight: bold;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: bold;\"\u003e“Amazingly well-conceived as well as manufactured to the highest standards, \u003c\/em\u003eThe Ultimate Analog Test LP\u003cem style=\"font-weight: bold;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: bold;\"\u003e is the new reference is test discs.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e —\u003cem data-mce-fragment=\"1\"\u003eThe Absolute Sound\u003c\/em\u003e, Editors’ Choice Award\u003cbr data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSide 1\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eGeneral Reference Level\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e This 1 kHz reference tone will allow you to establish a “base level” for all measurements.\u003cbr data-mce-fragment=\"1\"\u003e Track 1 1Khz reference tone 7cm\/s Mono, in phase (Lateral)\u003cbr data-mce-fragment=\"1\"\u003e Basic reference for all measurements, adjust meter for maximum convenience (in the studio 0VU).\u003cbr data-mce-fragment=\"1\"\u003e Adjust preamp channel balance for equal output.\u003cbr data-mce-fragment=\"1\"\u003e Also used to check the offset angle of the photo cartridge; L\u0026amp;R signals should be exactly in phase as displayed on an oscilloscope.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAzimuth Adjustment\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e Track 2 1kHz reference level Left channel only\u003cbr data-mce-fragment=\"1\"\u003e Measure Right channel output.\u003cbr data-mce-fragment=\"1\"\u003e Track 3 1kHz reference level Right channel only\u003cbr data-mce-fragment=\"1\"\u003e Measure Left channel output.\u003cbr data-mce-fragment=\"1\"\u003e The object is to sit the stylus exactly perpendicular in the groove.\u003cbr data-mce-fragment=\"1\"\u003e Twist cartridge about its radial axis until the measurements from Track 2 and Track 3 are equal or very close to equal for both channels.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHigh Frequency Adjustment\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e Tracks 4, 5 and 6 are used to calibrate the RIAA high frequency equalizer of a phono preamp. This will be used to calibrate a mastering lathe’s phono preamplifier or any phono preamplifier that has these adjustments.\u003cbr data-mce-fragment=\"1\"\u003e Track 4 1 kHz tone at -20 below reference level, Lateral\u003cbr data-mce-fragment=\"1\"\u003e Reference for High Frequency test.\u003cbr data-mce-fragment=\"1\"\u003e Track 5 10 kHz reference tone at -20dbu, Lateral\u003cbr data-mce-fragment=\"1\"\u003e Adjust the high frequency until the output level equals that of Track 4.\u003cbr data-mce-fragment=\"1\"\u003e Track 6 1 kHz to 20 kHz sweep at -20dbu, Mono (Lateral)\u003cbr data-mce-fragment=\"1\"\u003e The AC millivoltmeter reading should stay constant across all frequencies. There are a number of factors which can affect frequency response, including cable capacitance, cartridge loading, tracking force and worn parts. Because of this, it can be difficult to achieve perfectly flat frequency response. Sometimes by making small compromises in the 10 kHz adjustment, a better overall frequency response can be achieved.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLow Frequency Adjustment\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e Tracks 7 \u0026amp; 8 are used to calibrate the RIAA low frequency equalizer of a phono preamp.\u003cbr data-mce-fragment=\"1\"\u003e Track 7 1 kHz to 20 Hz sweep at 0 VU (Lateral)\u003cbr data-mce-fragment=\"1\"\u003e Play Track 7 and measure the output with your AC millivolt meter. \u003cbr data-mce-fragment=\"1\"\u003e Ideally, the output will be flat across all frequencies. When viewed on an oscilloscope, the amplitude would remain constant during the frequency downsweep.\u003cbr data-mce-fragment=\"1\"\u003e Track 8 100 Hz reference tone at 0 vu (Lateral)\u003cbr data-mce-fragment=\"1\"\u003e Adjust LF Eq to reference (which is your reading from Track 1).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack 9 VTA adjust\u003cbr data-mce-fragment=\"1\"\u003e \u003c\/strong\u003eThis is an IEC intermodulation distortion (IMD) test signal; 60Hz \u0026amp; 4kHz 4:1 ratio.\u003cbr data-mce-fragment=\"1\"\u003e Using an IMD tester, adjust VTA by raising or lowering the tonearm for minimum distortion.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack 10 Standard Wow \u0026amp; Flutter test\u003c\/strong\u003e signal; 3150Hz\u003cbr data-mce-fragment=\"1\"\u003e The Wow \u0026amp; Flutter meter will give dynamic speed variations as a percentage deviation from nominal.\u003cbr data-mce-fragment=\"1\"\u003e Also, the frequency counter should read exactly 3150 Hz for nominal speed. You can use the Hz function on your multi-meter (if so equipped) to verify speed here as well. You can also use to find the measurements at 45RPM. The correct reading at 45RPM would be 4253 Hz (45\/33.33) x 3150.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSide 2\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eTrack 1 Anti-skating test;\u003c\/strong\u003e 315Hz amplitude sweep to +12dbu (Lateral)\u003cbr data-mce-fragment=\"1\"\u003e Signal should remain clean in both channels up to the highest level, both audibly and as viewed on an oscilloscope. In case of distortion, increase anti-skating force or decrease anti-skate until breakup occurs equally in both channels. The left channel information is inscribed on the inner groove wall, the right channel information, on the outer groove wall. Because of the offset angle of a pivoted tonearm, a constantly varying vector force biases the arm towards the center of the record causing the stylus to lose contact with the outer (i.e. right channel) groove wall. Both linear and modulated groove velocity, tracking force, stylus profile, and vinyl composition are contributing factors. The anti skating force attempts to ameliorate this by applying an opposing similar force.\u003cbr data-mce-fragment=\"1\"\u003e It is also accepted that the overall force vector increases as the tonearm approaches closer to the spindle or end of the record.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack 2 Pink noise lateral\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eTrack 3 Pink noise vertical\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e Used for cartridge “demagnetizing”\u003cbr data-mce-fragment=\"1\"\u003e You can also use this track to loosen up the cantilever’s suspension to help break in a new cartridge. Play these tracks five to ten times after every 300 hours of normal LP playback.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack 4 1kHz @ reference level, vertical\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e This out-of-phase signal should cancel to nothing when summed to mono. \u003cbr data-mce-fragment=\"1\"\u003e Any signals still present are distortion artifacts, lack of channel balance, or timing (phase) anomalies. This test can be a second confirmation of anti-skate adjustment.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack 5 1kHz to 10Hz sweep @ -20 below reference level, vertical\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e Resonance anomalies in the tonearm \/ cartridge interface will show up as amplitude peaks and dips as the frequency sweeps down.\u003cbr data-mce-fragment=\"1\"\u003e Once again, by listening in ‘Mono’ it is easier to hear the distortion artifacts.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack 6 Silent groove for bearing rumble and table isolation\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e During playback of this track, nothing should be transmitted from the turntable to the speakers. Replay the track and gently tap on the rack or base that the turntable is resting on. There should be little or no thump transferred to the speakers. This track will help you experiment with turntable isolation methods and products to be able to get the most out of your playback system. You may want to use a closed or sealed headphone for best listening results, or a stethoscope on the plinth.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Music Direct","offers":[{"title":"Default Title","offer_id":41819670544558,"sku":"753088700118","price":47.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/products\/AnalogueProductions-TheUltimateAnalogueTestLP.jpg?v=1634402588"},{"product_id":"art-blakey-and-the-jazz-messengers-drum-suite-ltd-ed-numbered-audiophile-reissue-awaiting-repress","title":"Art Blakey and the Jazz Messengers - Drum Suite [180G\/ Numbered Ltd Ed] (Impex Records Audiophile Pressing)","description":"\u003cdiv\u003e\n\u003cp class=\"MdRemovedH1\"\u003e\u003cstrong\u003eArt Blakey And The Jazz Messengers \u003cem\u003eDrum Suite\u003c\/em\u003e on Numbered 180g LP from Impex Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eAll-Analog Mastering by Kevin Gray\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eImpex Records is proud to announce their next all-analog mastered 180-gram LP release: Art Blakey and the Jazz Messengers' seminal and highly influential 1957 Columbia Records album \u003cem\u003eDrum Suite\u003c\/em\u003e. The extraordinary single-take suite on side A - Art Blakey's \"The Sacrifice,\" Ray Bryant's \"Cubano Chant,\" and Oscar Pettiford's \"Oscalypso\" - showcases the immense talents of such legendary players as drummer \"Papa\" Jo Jones, bassist Oscar Pettiford, pianist Ray Bryant, and percussionists Charles Wright, Sabu and Candido.\u003cem\u003e \u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eSide B features three tracks (\"Nica's Tempo, \"Dee's Dilemma,\" \"Just For Marty\") that the Jazz Messengers (Bill Hardman, Jackie McLean, Sam Dockery, Spanky DeBrest) originally recorded in 1956 for Blakey's Columbia debut\u003cem\u003e Hard Bop\u003c\/em\u003e. \u003cem\u003eDrum Suite\u003c\/em\u003e is a dazzling and powerful ensemble piece honoring ancient African tribal rituals in a modern bop setting. Numbered 180g vinyl pressing from RTI featuring all-analog mastering by Kevin Gray. \u003cbr\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eMusicians:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eArt Blakey (drums)\u003c\/div\u003e\n\u003cdiv\u003eJackie McLean (alto saxophone)\u003c\/div\u003e\n\u003cdiv\u003eOscar Pettiford (bass, cello)\u003c\/div\u003e\n\u003cdiv\u003eSpanky DeBrest (bass)\u003c\/div\u003e\n\u003cdiv\u003eBill Hardman (trumpet)\u003c\/div\u003e\n\u003cdiv\u003eRay Bryant \/ Sam Dockery (piano)\u003c\/div\u003e\n\u003cdiv\u003eCharles Wright \/ Jo Jones \/ (drums)\u003c\/div\u003e\n\u003cdiv\u003eCandido \/ Sabu Martinez (bongos)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eArt Blakey And The Jazz Messengers\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDrum Suite\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eTrack Listing:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e1. The Sacrifice\u003c\/div\u003e\n\u003cdiv\u003e2. Cubano Chant\u003c\/div\u003e\n\u003cdiv\u003e3. Oscalypso\u003c\/div\u003e\n\u003cdiv\u003e4. Nica's Tempo\u003c\/div\u003e\n\u003cdiv\u003e5. Dee's Dilemma\u003c\/div\u003e\n\u003cdiv\u003e6. Just For Marty\u003c\/div\u003e","brand":"Music Direct","offers":[{"title":"Default Title","offer_id":41819665137838,"sku":"","price":49.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/products\/artblakey-drumsuite.jpg?v=1634769704"},{"product_id":"art-blakey-and-the-jazz-messengers-hard-bop-180g-audiophile-numbered-ltd-ed-awaiting-repress","title":"Art Blakey and the Jazz Messengers - Hard Bop [180G\/ Impex Records Audiophile Pressing\/ Numbered\/ Ltd Ed]","description":"\u003cdiv data-mce-fragment=\"1\"\u003e\u003cstrong\u003eThe Jazz Messengers \u003cem data-mce-fragment=\"1\"\u003eHard Bop\u003c\/em\u003e on 180g LP from Impex Records \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCut from the Original Analog Mono Master Tapes by Kevin Gray and Robert Pincus \u0026amp; Pressed at RTI\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eSome of the greatest jazz musicians of all time have passed through Art Blakey's Jazz Messengers: Horace Silver, Hank Mobley, Kenny Dorham, Wayne Shorter and Donald Byrd, among many others. However brief their stay, working with the demanding and full-throttle drummer not only increased their visibility, but also their chops and interpretive capacity. Blakey's ability to drum up the best players in the game may have even eclipsed his superhuman ability to play drums. \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eAltoist Jackie McLean, trumpeter Bill Hardman, bassist Spanky deBrest, and pianist Sam Dockery join the fold here to along with Blakey deliver whole-bop goodness on five propulsive, fiery tracks. True to its title, this LP bops hard, with a ferocious swing, boundless energy and telepathic communication between players - especially Blakey and Hardman. Considering the rhythmic demands of Blakey's locomotive playing style, this was an incredible achievement. \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eImpex Records has cut this gorgeous 180-gram LP with the original analog mono master tapes and without computer processing of any kind. You hear all the vivacious interplay that occurred on that weekend in 1957 when Blakey and crew forged a bold new vision of muscular, funky jazz. This is music that still resonates over 50 years later. Not to be missed! \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eMusicians:\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e- Art Blakey (drums)\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e- Jackie McLean (alto saxophone)\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e- Bill Hardman (trumpet)\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e- Spanky deBrest (bass)\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e- Sam Dockery (piano)\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eThe Jazz Messengers \u003cem data-mce-fragment=\"1\"\u003eHard Bop\u003c\/em\u003e Track Listing:\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e1. Cranky Spanky\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e2. Stella By Starlight\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e3. My Heart Stood Still \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e4. Little Melonae\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e5. Stanley's Stiff Chickens\u003c\/div\u003e","brand":"Music Direct","offers":[{"title":"Default Title","offer_id":41820169928878,"sku":"8745958646016","price":49.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/products\/artblakey-hardbop.jpg?v=1643414396"},{"product_id":"art-pepper-meets-the-rhythm-section-180g","title":"Art Pepper - Art Pepper Meets the Rhythm Section [180G\/ Stereo\/ Contemporary Records Acoustic Sounds Series\/ All-Analog Mastering]","description":"\u003cp\u003e\u003cstrong\u003eContemporary Records 70th Anniversary Series 180g Vinyl LP Reissue All-Analog Mastered from the Original Tapes by Bernie Grundman!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2021 marked 70 years of Contemporary Records, the Los Angeles-based audiophile jazz label that both defined and radically expanded the sound of West Coast jazz. Throughout the '50s, '60s and '70s, Lester Koenig's artist-friendly company released career-defining performances by some of modern jazz's most influential and accomplished improvisers, including Ornette Coleman, Sonny Rollins, Hampton Hawes, Art Pepper, Harold Land, Shelly Manne and Teddy Edwards. In celebrating the history of this essential label and its exceptional catalog, Craft Recordings is releasing a variety of content throughout the coming year.\u003c\/p\u003e\n\u003cp\u003eIn the aftermath of Charlie Parker, no alto saxophonist blazed a more brilliant alternative path than Art Pepper, who forged a lyrical detour bypassing bebop despite his love of Bird. The L.A. native poured his tormented soul into his horn, recording a series of classic albums between stints in prison due to his addiction to heroin. His Contemporary sessions rank among his very best work.\u003c\/p\u003e\n\u003cp\u003ePepper's first album\u003cem\u003e Meets The Rhythm Section\u003c\/em\u003e features his legendary sessions with the East Coast rhythm section for Miles Davis's quintet. Originally released in 1957 and recorded by legendary engineer Roy DuNann this new edition features all-analog mastering from the original tapes by Bernie Grundman. The record is pressed on 180-gram vinyl \u003cspan\u003eat QRP and presented in a Stoughton Old Style Tip-On Jacket.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eYou'd Be So Nice To Come Home To\u003cbr\u003eRed Pepper Blues\u003cbr\u003eImagination\u003cbr\u003eWaltz Me Blues\u003cbr\u003eStraight Life\u003cbr\u003eJazz Me Blues\u003cbr\u003eTin Tin Deo\u003cbr\u003eStar Eyes\u003cbr\u003eBirks Works\u003c\/span\u003e\u003c\/p\u003e","brand":"Music Direct","offers":[{"title":"Default Title","offer_id":41819664548014,"sku":"888072230941","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/files\/ap1.jpg?v=1683754598"},{"product_id":"art-pepper-quintet-the-smack-up","title":"Art Pepper Quintet, The - Smack Up [180G\/ Remastered] (Contemporary Records Acoustic Sounds Series\/ All-Analog Mastering]","description":"\u003cdiv class=\"row m-0 description-row\"\u003e\n\u003cdiv class=\"col-lg-9 desc-content\"\u003e\n\u003cp\u003e\u003cstrong\u003eContemporary Records Series 180g Vinyl LP Reissue of Art Pepper Quintet's \u003cem\u003eSmack Up.\u003c\/em\u003e All-Analog Mastered from the Original Tapes by Bernie Grundman and Pressed at QRP.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eContemporary Records present this new reissue of Art Pepper’s 1960 album,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSmack Up\u003c\/em\u003e. Recorded by legendary engineer Roy DuNann, the album also features Jack Sheldon (trumpet), Pete Jolly (piano), Jimmy Bond (bass) and Frank Butler (drums). This new edition is pressed on 180-gram vinyl pressed at QRP with (AAA) lacquers cut from the original tapes by Bernie Grundman and is presented in a tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"row m-0 highlights-row\"\u003e\n\u003cdiv class=\"col-lg-3 high-title\"\u003eHighlights\u003c\/div\u003e\n\u003cdiv class=\"col-lg-9 high-content open\"\u003e\n\u003cul\u003e\n\u003cli\u003e180g vinyl LP reissue from Craft Recordings\u003c\/li\u003e\n\u003cli\u003eReleased as part of Contemporary Records series\u003c\/li\u003e\n\u003cli\u003eAll-analog mastering from the original tapes by Bernie Grundman\u003c\/li\u003e\n\u003cli\u003ePressed at Quality Record Pressing with (AAA) lacquers\u003c\/li\u003e\n\u003cli\u003ePresented in a tip-on jacket\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSide A:\u003cbr\u003e\u003cbr\u003eSmack Up\u003cbr\u003eLas Cuevas De Mario\u003cbr\u003eA Bit Of Basie\u003c\/p\u003e\n\u003cp\u003eSide B:\u003cbr\u003e\u003cbr\u003eHow Can You Lose\u003cbr\u003eMaybe Next Year\u003cbr\u003eTears Inside\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Music Direct","offers":[{"title":"Default Title","offer_id":41819664449710,"sku":"888072554771","price":30.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/files\/artpeppersmackup__13364.jpg?v=1709852228"},{"product_id":"baby-face-willette-face-to-face-180g-blue-note-tone-poet-series","title":"Baby Face Willette - Face to Face [180G\/ Remastered] (Blue Note Tone Poet Series)","description":"\u003cp\u003e\u003cstrong\u003eLimited 180gm audiophile vinyl pressing in deluxe gatefold jacket. Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI).\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHammond B-3 organ soul jazz fans know and love the music of Jimmy Smith, but lesser known is the tragically short life and career of Roosevelt 'Baby Face' Willette who produced some of the deepest grooves ever recorded on the B-3 on just two Blue Note albums recorded in 1961. Willette's debut \u003cem\u003eFace to Face\u003c\/em\u003e is a showcase for his blues-drenched organ pyrotechnics. Joined by the brilliant guitarist Grant Green, tenor sax master Fred Jackson and the rock-solid drums of Ben Dixon, \u003cem\u003eFace to Face\u003c\/em\u003e is a tour de force of rough and ready soul jazz brilliance with an iconic Reid Miles cover design to match.\u003c\/p\u003e\n\u003cp\u003eSwingin' At Sugar Ray's\u003cbr\u003eGoin' Down\u003cbr\u003eWhatever Lola Wants\u003cbr\u003eFace To Face\u003cbr\u003eSomethin' Strange\u003cbr\u003eHigh ‘N Low\u003c\/p\u003e","brand":"Music Direct","offers":[{"title":"Default Title","offer_id":41819659239598,"sku":"602577434341","price":42.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/products\/BabyFaceWillette-FacetoFaceBlueNote.jpg?v=1651343503"},{"product_id":"bill-evans-symbiosis-180g-all-analogue-audiophile-pressing","title":"Bill Evans - Symbiosis [180G\/ All-Analogue Audiophile Pressing]","description":"\u003cp\u003e\u003cstrong\u003eBill Evans\u003c\/strong\u003e - leader of one of most influential trios in jazz history, invaluable contributor to the model explorations on Miles Davis' \"Kind of Blue\". Miles said it best: \"Bill had this quiet fire that I loved on piano. The way he approached it, the sound he got was like crystal notes or sparkling water cascading down from some clear waterfall.\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClaus Ogerman\u003c\/strong\u003e - one of the most prolific 20th century arranger-composers, at home in every style - rock, pop, jazz, classical. Worked with Sinatra, Jobim, 2010 Emmy winner with Diane Krall.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eSymbiosis\u003c\/strong\u003e\u003c\/em\u003e - Ogerman's potent melding of contemporary classical and jazz with NY Philharmonic players, top jazz musicians, and the Bill Evans Trio. Classic Evans in an unusual setting.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"AMS","offers":[{"title":"Default Title","offer_id":41820153217198,"sku":"4029759115472","price":30.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/products\/besym.jpg?v=1643153641"},{"product_id":"bill-evans-trio-64-180g-acoustic-sounds-audiophile-pressing","title":"Bill Evans - Trio 64 [180G\/ Acoustic Sounds Audiophile Pressing]","description":"\u003cp\u003e\u003cstrong\u003eAcoustic Sounds Series reissues from Verve\/Universal Music Enterprises!\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMastered by Ryan K. Smith at Sterling Sound from the original analog tapes\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003e180-gram LPs pressed at Quality Record Pressings!\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eStoughton Printing gatefold old-style tip-on jackets\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSeries supervised by Chad Kassem CEO of Acoustic Sounds\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThere's scarcely a more towering figure in modern jazz — save Miles and Coltrane — than the great Bill Evans. His relaxed and emotional style at the piano would prove influential to not only his peers but to generations of pianists who would follow him.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt also doesn't hurt, points out thejazzrecord.com, that he appeared on (and had great influence over the direction of) Kind Of Blue and that the two LPs from his trio's landmark stint at the Village Vanguard in 1961 (Waltz For Debby and Sunday At The Village Vanguard) are both stone-cold classics.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe excellent Trio 64 marked Evans' first trio album after a move to Verve from his previous home at Riverside Records. While the work Evans' did with his first trio featuring Scott LaFaro and Paul Motian (particularly the Village Vanguard recordings) remains by far his most popular and lauded work, even after LaFaro's tragic death in 1961 he continued to improve upon and refine his particular brand of soulful and introspective playing.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTrio 64 marked a reunion with Motian and Evans' only recorded work with the talented bassist Gary Peacock. The album matches up with Evans' finest trio sessions, with his shimmering piano lines dancing between Peacock's sharp bass lines and Motian's usual sublime work on the drums. Peacock was a perfect match for Evans, he was a kindred spirit when it came to not simply following the musical trends of the day, as evidenced by his time spent with the likes of Albert Ayler and Paul Bley a few years after the recording of Trio 64.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe song selection shows how Evans was able to take even the most rote pop songs of the day and transform them into unabashed works of modern jazz. Is there another pianist of the era who would attempt a take on \"Santa Claus Is Coming To Town\" (the album was recorded December 18th, so why not throw in a Christmas tune) or \"Little Lulu\" (the theme from a 1940s cartoon of the same name) and so successfully have them come off as if they were jazz standards all along? Even more impressive is that this was the first time that Evans had played with Peacock, and yet there is no sense of hesitation in either musician's interaction with each other, it sounds like they've been playing together for years.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSide A\u003cbr data-mce-fragment=\"1\"\u003e1. Little Lulu\u003cbr data-mce-fragment=\"1\"\u003e2. A Sleeping Bee\u003cbr data-mce-fragment=\"1\"\u003e3. Always\u003cbr data-mce-fragment=\"1\"\u003e4. Santa Claus Is Coming To Town\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSide B\u003cbr data-mce-fragment=\"1\"\u003e1. I'll See You Again\u003cbr data-mce-fragment=\"1\"\u003e2. For Heaven's Sake\u003cbr data-mce-fragment=\"1\"\u003e3. Dancing In The Dark\u003cbr data-mce-fragment=\"1\"\u003e4. Everything Happens To Me\u003c\/p\u003e","brand":"33 1\/3 Record Distributors","offers":[{"title":"Default Title","offer_id":41820153118894,"sku":"602435346038","price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/products\/602435346038.jpg?v=1638588953"},{"product_id":"bill-evans-and-jim-hall-undercurrent-mofi","title":"Bill Evans and Jim Hall - Undercurrent [180G\/ Remastered\/ Numbered Ltd Ed] (MoFi)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSilver Label LP Mastered on Mobile Fidelity's World-Renowned Mastering System and Pressed at RTI: Beautiful-Sounding Set Encompasses Ballads, Waltzes, Hard-Swinging Bop\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1\/4\" \/ 15 IPS Dolby A analog copy to analog console to lathe\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBill Evans catapulted to the top of the jazz world in June 1961 after reeling off three straight masterpiece sessions at New York's Village Vanguard with his trio. Yet the emotional highs came to a screeching halt shortly thereafter when bassist Scott LaFaro died in a car accident. Devastated, Evans refrained from playing for nearly a year. If not for an inspirational collaboration of tremendous creative outpouring, one wonders what fate may have befallen Evans.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eUndercurrent\u003c\/em\u003e, the outcome of two studio sessions with guitarist Jim Hall, is that project.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMastered on Mobile Fidelity's world-renowned mastering system and pressed at RTI, this Silver Label LP edition bursts forth with brilliant textures, you-are-there realism, and extraordinary tonalities. This reissue brings you face-to-face with these two jazz giants' sonic communion, a kind of spiritual musical summit on which Evans' deft keyboard touches and Hall's reliably subtle phrasings seamlessly mesh and wonderfully dance, the compositions streaked with natural instrumental decay, full-frequency extensions, and poignant emotionalism that, on this LP, you can feel.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhile Evans managed to sit down for a few one-off takes between LaFaro's passing and these April-May 1962 dates, he largely remained on hiatus and abstained from recording. Whether it owes to the intimate pairing, he and Hall's brotherly chemistry, or the exquisite selection of program material, the results consistently come across as the equivalent of a private meditation - such is the level of introspective depth and quietly shaded interplay throughout. For Evans, the duet clearly functions as therapy, a healing episode in which his partner patiently lays back, shadowing moves and suggesting others, neither musician interested in the spotlight but each striving for (and achieving) transcendent beauty.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn tackling standards such as Rodgers and Hart's \"My Funny Valentine\" and the Broadway classic \"Darn That Dream,\" as well as the Hall original \"Romain,\" the pair traverses complex harmonies with the astute elegance of a figure skater. At times, Evans and Hall go for broke on a hard-swinging romps, yet it's their implied melancholy and drifting, softly struck melodic refrains on waltzes and ballads that bestows\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eUndercurrent\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewith a nuanced romanticism and whispered atmosphere befitting the record's title. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIndeed, even the album's cover - an iconic photograph by Toni Frissell - exhibits the surreal, almost-hallucinogenic properties of the fare contained within. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMy Funny Valentine\u003cbr\u003eI Hear a Rhapsody\u003cbr\u003eDream Gypsy\u003cbr\u003eRomain\u003cbr\u003eSkating in Central Park\u003cbr\u003eDarn That Dream\u003c\/p\u003e","brand":"Music Direct","offers":[{"title":"Default Title","offer_id":41820153053358,"sku":"821797100311","price":30.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/files\/undercurrentmofi.jpg?v=1688841853"},{"product_id":"bill-withers-live-at-carnegie-hall-2lp-mofi","title":"Bill Withers - Live at Carnegie Hall [2LP\/ 180G\/ Remastered\/ Numbered Ltd Ed] (MoFi)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eEasygoing Portrait of Down-Home Soul Singer Coming Into His Own and Establishing An Indelible Bond Between Performance and Audience\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e1\/4\" \/ 15 IPS \/ Dolby A analog master to DSD 64 to analog console to lathe\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOn par with the most treasured concert albums of the 60s and 70s, Bill Withers' transformative\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eLive at Carnegie Hall\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis a forgotten classic – an easygoing portrait of a down-home soul artist coming into his own in front of an audience eager to share every moment of his brilliance. Soothing with subtlety, charming with calmness, and healing with a vocal timbre as relaxing as his grooves, Withers uses the stage to expand the range of favorites and engage in dialog with the crowd. Distinguished with sonics that restore the performances' balance and improve the soundstaging, this reissue takes you inside the venue.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMoreover, aspects that really make this concert document unique, the energetic crowd, Withers and his band's willingness to extend arrangements, and the undeniable communicative bond between the performer and his fans, are brought into fuller relief. While most live albums give you the sense of what transpired, our reissue allows it to seem that what you're hearing and sensing is happening right now, in the moment. You are as much a participant as listener. For this reason and more,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eLive at Carnegie Hall\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eranks with James Brown's\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eLive at the Apollo\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand B.B. King's\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eLive at the Regal\u003c\/em\u003e. No small claims, but the proof is in the grooves.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe antithesis of the sweaty R\u0026amp;B shouter that prowls the edge of stages, Withers deals in mellowness and vulnerability, qualities that come to fore. The songs here span soul, blues, and folk and often times, contain elements of all three styles.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eLive at Carnegie Hall\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ealso deals with serious subject matter with unflinching honesty and simple directness. Companionship, poverty, war, maturity, family, and love all crop up within Withers' tunes, yet the messages are never overly cumbersome or preachy. Credit goes to his easygoing style and relatable lyrics, not to mention a tight-as-a-vice band that on this night is simply \"on.\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"One more time?\" Withers asks in response to a request for another stanza during \"Use Me,\" and like the snap of fingers, his musicians are right back on cue, the crowd clapping along on every beat. This classic, as well as the instantly familiar \"Ain't No Sunshine,\" poignant \"Grandma's Hands,\" and all-time favorite \"Lean On Me\" are delivered with utmost soulfulness, passion, and electricity. Few, if any, live albums demonstrate such a bond between the crowd and artist as\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eLive at Carnegie Hall\u003c\/em\u003e. You'll definitely want to be there.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eUse Me\u003cbr\u003eFriend of Mine\u003cbr\u003eAin't No Sunshine\u003cbr\u003eGrandma's Hands\u003cbr\u003eWorld Keeps Going Around\u003cbr\u003eLet Me In Your Life\u003cbr\u003eBetter Off Dead\u003cbr\u003eFor My Friend\u003cbr\u003eI Can't Write Left Handed\u003cbr\u003eLean on Me\u003cbr\u003eLonely Town, Lonely Street\u003cbr\u003eHope She'll Be Happier\u003cbr\u003eLet Us Love\u003cbr\u003eHarlem\/Cold Baloney\u003c\/p\u003e","brand":"Music Direct","offers":[{"title":"Default Title","offer_id":41820152037550,"sku":"821797244619","price":62.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/files\/billwithersch.jpg?v=1694714745"},{"product_id":"blue-oyster-cult-secret-treaties-180g-all-analogue-audiophile-pressing","title":"Blue Öyster Cult - Secret Treaties [180G\/ Speakers Corner All-Analogue Audiophile Pressing]","description":"\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cp class=\"MdRemovedH1\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBlue Öyster Cult \u003cem data-mce-fragment=\"1\"\u003eSecret Treaties\u003c\/em\u003e on 180g Import LP from Speakers Corner\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eBack in the days of hard rock and surrounded by fierce competitors with such great names as the Doors, Black Sabbath and the Rolling Stones, a band had to attract attention with far more than histrionic pathos, biker boogie, an adept lead guitarist and a sharp-tongued singer. The band Blue Öyster Cult, founded on Long Island in 1971, possessed all this and much more, relating short scenarios in their lyrics, which conjured up people’s imagination. \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eIt was with their third studio album \u003cem data-mce-fragment=\"1\"\u003eSecret Treaties\u003c\/em\u003e (1974), that this all came to fruition and BÖC reached the pinnacle of their musical evolution with such memorable songs as \"Career Of Evil,\" \"Subhuman\" and \"Astronomy.\" The lyrics have literary value but are certainly not intended for sensitive souls – the phrases are direct and intentionally dryly articulated. \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eThe music is as blatant and extroverted as the lyrics: the guitar sound is steely and straightforward, occasionally padded out with a see-sawing Hammond groove, and topped again and again by wonderfully rough string solos that speak the language of hard, merciless and full-bodied rock.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eRolling Stone enthused that it was \"like listenin’ to Hitchcock and Kubrick swap stories about their wet dreams,\" and that the group \"mix aesthetics and ass-kicking rock to such good advantage,\" while Kerrang hailed that, \"Every song leads neatly to the next and each side builds in drama and complexity of a palpable release, which only the very best of records can deliver.\"  \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eBlue Öyster Cult \u003cem data-mce-fragment=\"1\"\u003eSecret Treaties\u003c\/em\u003e Track Listing:\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e1. Career of Evil\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e2. Subhuman\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e3. Dominance and Submission\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e4. ME 262\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e5. Cagey Cretins\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e6. Harvester of Eyes\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e7. Flaming Telepaths\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e8. Astronomy\u003c\/div\u003e","brand":"Music Direct","offers":[{"title":"Default Title","offer_id":41820140437678,"sku":"4260019714572","price":44.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/products\/bocst.jpg?v=1657410914"},{"product_id":"bob-dylan-another-side-of-bob-dylan-mofi","title":"Bob Dylan - Another Side of Bob Dylan[2LP\/ 180G\/ 45 RPM\/ Mono\/ Remastered\/ Numbered Ltd Ed] (MoFi)","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eAnother Side of Bob Dylan\u003c\/em\u003e Finds Singer Expanding Songwriting Themes: Sophomore Album Includes \"It Ain't Me Babe,\" \"My Back Pages,\" \"Chimes of Freedom\" \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSourced from the Original Master Tapes: Mobile Fidelity's 180g 45RPM\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eMono 2LP Set Brings Music's Whimsical Feel and Surrealist Lyrics to Life in the Direct Sound Dylan Intended\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1\/4\" \/ 15 IPS analog mono master to DSD 256 to analog console to lathe\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFamously evasive, Bob Dylan never stated exactly what represented the \"another side\" of himself referenced in the title to his second 1964 record. Yet the whimsical moods, hallucinogenic prose, humorous angles, transparent mistakes, and noncommittal themes give a pretty clear idea at what the Bard meant as he emerged from being labeled as a reluctant generation spokesperson and folk savior after releasing two socially pioneering sets replete with protest songs. Dylan needed to take a breath, step back from the drama, and reevaluate his surroundings. Experienced in mono,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAnother Side of Bob Dylan\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eis all that and more.\u003c\/p\u003e\n\u003cp\u003eSourced from the original master tapes and pressed at RTI, Mobile Fidelity’s 180g 45RPM mono 2LP reissue illuminates Dylan's emotional condition — he laughs amid songs, experiences a few false starts, hits a couple of bum notes, prizes rawness over perfection – with exacting accuracy and unparalleled directness. The preferred mix at the time of the recording, the mono version presents Dylan as he and his producers originally intended.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBecause the separation on the stereo versions isn't as sharp, this collectible edition places Dylan's vocals in the heart of the musical action and as one with the accompaniment. It paints listeners an incredibly accurate portrait of the attention-getting, concrete mass of sound that features no artificial panning and straight-ahead immersion into the music. This is how almost everyone first heard this timeless album — making the mono mix all the more historically valuable and truthful.\u003c\/p\u003e\n\u003cp\u003eThe uninhibited joie de vive is discernible in the rattling piano lines on \"Black Crow Blues,\" seemingly subconscious ramble of the hysterical folk rhyming of \"Motorpsycho Nightmare,\" bluesy dream sequencing throughout \"I Don't Believe You,\" and intentionally out-of-tune yodeling during \"All I Really Want to Do.\" On a majority of the set, Dylan lets his guard down, and does so in clever manners that speak to his surrealist imagination and biting wit. He possesses the rare ability to make planned strategies appear spontaneous, challenging audiences with stinting wordplay and minimalist melodies that provide a false security.\u003c\/p\u003e\n\u003cp\u003eAnd so the apparently autobiographical and self-aware \"My Back Pages,\" one of the earliest examples of Dylan's immersion into symbolist prose and abstract metaphor, remains controversial for its on-the-surface denouncement of his earlier condemnations of social institutions and injustices. Peeled back, the tune is a brilliant release —\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003ean essential escape hatch for Dylan to both relieve himself of unneeded pressures and distance himself from pundits. An indelible piece of art, it succeeds in masquerading obvious meaning while forcing listeners to question their own actions.\u003c\/p\u003e\n\u003cp\u003eAs is the trifecta of relationship-themed compositions that closes the record, as well as the timeless \"Chimes of Freedom,\" the standard that journalist Paul Williams dubbed Dylan's \"Sermon on the Mount.\" The song’s combination of apocalyptic imagery, personal emotion, allusive lyricism, balladic alliteration, and inclusive sympathy signal that, having already eviscerated the rules associated with pop and folk music, Dylan had just begun his assault on our consciousness.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThat makes\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAnother Side of Bob Dylan\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ethat much more mysterious, unequivocal, and requisite. And entirely deserving of this audiophile package.\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"Apple-converted-space\"\u003eA1 All I Really Want To Do 4:02\u003cbr\u003eA2 Black Crow Blues 3:12\u003cbr\u003eA3 Spanish Harlem Incident 2:22\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"Apple-converted-space\"\u003eB1 Chimes Of Freedom 7:09\u003cbr\u003eB2 I Shall Be Free No. 10 4:45\u003cbr\u003eB3 To Ramona 3:50\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"Apple-converted-space\"\u003eC1 Motorpsycho Nitemare 4:31\u003cbr\u003eC2 My Back Pages 4:20\u003cbr\u003eC3 I Don't Believe You 4:20\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"Apple-converted-space\"\u003eD1 Ballad In Plain D 8:15\u003cbr\u003eD2 It Ain't Me Babe 3:30\u003c\/span\u003e\u003c\/p\u003e","brand":"Music Direct","offers":[{"title":"Default Title","offer_id":41820139225262,"sku":"821797237918","price":62.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/files\/Bob_Dylan_AnotherSideMONO_1500x__40263.jpg?v=1698876092"},{"product_id":"boz-scaggs-boz-scaggs-180g-all-analogue-audiophile-pressing","title":"Boz Scaggs - Boz Scaggs [180G\/ All-Analogue Audiophile Pressing]","description":"\u003cli\u003e1 I'm Easy\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e2\u003c\/span\u003e I'll Be Long Gone\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e3\u003c\/span\u003e Another Day (Another Letter)\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e4\u003c\/span\u003e Now You're Gone\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e5\u003c\/span\u003e Finding Her\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e6\u003c\/span\u003e Look What I Got!\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e7\u003c\/span\u003e Waiting for a Train\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e8\u003c\/span\u003e Loan Me a Dime\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e9\u003c\/span\u003e Sweet Release\u003c\/li\u003e","brand":"AMS","offers":[{"title":"Default Title","offer_id":41820133884078,"sku":"4260019715852","price":34.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/products\/b_1ef7476f-2f8f-4fb7-b0a1-249644212cd0.jpg?v=1667406732"},{"product_id":"buddy-holly-buddy-holly-200g-all-analogue-audiophile-pressing-awaiting-repress","title":"Buddy Holly - Buddy Holly [200G\/ Analogue Productions Audiophile Pressing]","description":"\u003cp data-mce-fragment=\"1\"\u003e200g Vinyl Pressing Remastered from the Original Analog Master Tapes by Kevin Gray at Cohearent Audio\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBuddy Holly was without a doubt one of the greatest, most inventive artists in the first wave of rock \u0026amp; roll and his profound influence on popular music is staggering. It all started with his group The Crickets, comprised of a 21-year-old Holly on lead vocals\/lead guitar, Niki Sullivan on rhythm guitar, Joe Mauldin on bass and Jerry Allison on drums.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOriginally issued on Brunswick Records in 1957, their cornerstone debut,\u003cem data-mce-fragment=\"1\"\u003e The \"Chirping\" Crickets\u003c\/em\u003e, was the group's lone release during Holly's far too short lifetime, but it left a major mark with No. 1 single \"That'll Be the Day\" as well as Top Ten hit \"Oh, Boy!\" and further Crickets classics like \"Not Fade Away,\" \"Maybe Baby\" and \"I'm Looking for Someone to Love.\" Melding country, rockabilly and R\u0026amp;B into what we now call rock \u0026amp; roll,\u003cem data-mce-fragment=\"1\"\u003e The \"Chirping\" Crickets\u003c\/em\u003e stands tall alongside landmark debuts like Elvis Presley and Meet the Beatles for its visionary songs and musical impact.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThree months after the release of \u003cem data-mce-fragment=\"1\"\u003eThe \"Chirping\" Crickets \u003c\/em\u003ecame Buddy Holly's self-titled 1958 classic, the last album issued prior to the Iowa plane crash that struck him down at only age 22. The album\u003cem data-mce-fragment=\"1\"\u003e Buddy Holly\u003c\/em\u003e features the Top Ten signature smash \"Peggy Sue\" plus several songs that have gone on to become standards including \"I'm Gonna Love You Too,\" \"Listen To Me,\" \"Everyday,\" \"Words of Love,\" and \"Rave On.\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFeatures:\u003cbr data-mce-fragment=\"1\"\u003e• 200g vinyl LP from Analogue Productions\u003cbr data-mce-fragment=\"1\"\u003e• Remastered from the original analog master tapes by Kevin Gray at Cohearent Audio\u003cbr data-mce-fragment=\"1\"\u003e• Plated and pressed by Quality Record Pressings\u003cbr data-mce-fragment=\"1\"\u003e• Old-style tip-on gatefold jacket from Stoughton Printing\u003c\/p\u003e","brand":"Music Direct","offers":[{"title":"Default Title","offer_id":41820126412974,"sku":"753088010712","price":47.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/products\/buddyap.jpg?v=1644606263"},{"product_id":"buddy-holly-the-chirping-crickets-200g-all-analogue-audiophile-pressing","title":"Buddy Holly - The \"Chirping\" Crickets [200G\/ Analogue Productions Audiophile Pressing]","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRemastered from the Original Analog Master Tapes by Kevin Gray at Cohearent Audio \/ Plated and Pressed on 200g Vinyl LP at Quality Record Pressings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBuddy Holly was without a doubt one of the greatest, most inventive artists in the first wave of rock \u0026amp; roll and his profound influence on popular music is staggering. It all started with his group The Crickets, comprised of a 21-year-old Holly on lead vocals\/lead guitar, Niki Sullivan on rhythm guitar, Joe Mauldin on bass and Jerry Allison on drums. Originally issued on Brunswick Records in 1957, their cornerstone debut,\u003cem data-mce-fragment=\"1\"\u003e The \"Chirping\" Crickets\u003c\/em\u003e, was the group's lone release during Holly's far too short lifetime, but it left a major mark with No. 1 single \"That'll Be the Day\" as well as Top Ten hit \"Oh, Boy!\" and further Crickets classics like \"Not Fade Away,\" \"Maybe Baby\" and \"I'm Looking for Someone to Love.\" Melding country, rockabilly and R\u0026amp;B into what we now call rock \u0026amp; roll, \u003cem data-mce-fragment=\"1\"\u003eThe \"Chirping\" Crickets \u003c\/em\u003estands tall alongside landmark debuts like \u003cem data-mce-fragment=\"1\"\u003eElvis Presley\u003c\/em\u003e and \u003cem data-mce-fragment=\"1\"\u003eMeet the Beatles \u003c\/em\u003efor its visionary songs and musical impact. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFeatures:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e • 200g vinyl LP pressing from Analogue Productions\u003cbr data-mce-fragment=\"1\"\u003e • Remastered from original analog master tapes by Kevin Gray at Cohearent Audio\u003cbr data-mce-fragment=\"1\"\u003e • Plated and pressed at Quality Record Pressings\u003cbr data-mce-fragment=\"1\"\u003e • Old-style tip-on gatefold jacket from Stoughton Printing\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cbr\u003e Oh, Boy!\u003cbr\u003e Not Fade Away\u003cbr\u003e You've Got Love\u003cbr\u003e Maybe Baby\u003cbr\u003e It's Too Late\u003cbr\u003e Tell Me How\u003cbr\u003e That'll Be The Day\u003cbr\u003e I'm Looking For Someone To Love\u003cbr\u003e An Empty Cup (And A Broken Date)\u003cbr\u003e Send Me Some Lovin'\u003cbr\u003e Last Night\u003cbr\u003e Rock Me My Baby\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Music Direct","offers":[{"title":"Default Title","offer_id":41820126380206,"sku":"753088010910","price":47.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/files\/bhcc.jpg?v=1708276523"},{"product_id":"cars-the-the-cars-mofi","title":"Cars, The - The Cars [180G\/ Numbered\/ Ltd Ed] (MoFi)","description":"\u003cdiv class=\"col-lg-9 desc-content\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eLet the Good Times Roll: Mastered from the Original Master Tapes, Vinyl LP Sounds Amazing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eThe Cars' Classic 1978 Debut a Veritable Greatest Hits Album: Nearly Every Song a Radio Staple!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\"My Best Friend's Girl,\" \"Just What I Needed,\" \"You're All I've Got Tonight\" Among the Tunes on the Hit Parade\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e1\/4\" \/ 15 IPS analog master to analog console to lathe\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOne of the most successful and enjoyable debuts in history, The Cars' self-titled album doubles as a greatest-hits collection. That's because not one song here is unrecognized or unknown. A huge reason why the Boston quintet became America's most popular new-wave band, \u003cem data-mce-fragment=\"1\"\u003eThe Cars\u003c\/em\u003e launched eight tracks still regularly heard on radio stations everywhere. Consider the hit list: \"You're All I've Got Tonight.\" \"Good Times Roll.\" \"Just What I Needed.\" \"Moving in Stereo.\" \"My Best Friend's Girl.\" \"Don't Cha Stop.\" If you're a fan of pop music, this album is mandatory. Just call it the best new-wave rock album ever made.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLed by Ric Ocasek and Benjamin Orr, the Cars managed to unite then-disparate styles: bubblegum pop melodies, angular art rock, progressive arrangements, and terse minimalism. Orr's low, understated singing and Ocasek's cool, detached vocals lend shades of doubt and double meaning to the lyrics, which are further counterbalanced by orchestral keyboard flourishes and electronic beats. The brilliant arrangements also benefit from a laidback cool and understated irony that remain uncommon in the over-the-top world of mainstream music. Obsessed with incorporating the latest technologies and sounds into its palette, the band spiced its tunes with delightfully quirky accents—country-tinged guitar fills, echoing Syndrums, reggae splashes, hard-rock tones, robotic pulses.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe results are the sounds of a creative landmark. At once accessible and eccentric, edgy and catchy, \u003cem data-mce-fragment=\"1\"\u003eThe Cars\u003c\/em\u003e explodes with emotion, energy, and hooks. It's impossible not to get caught up humming and singing along to every song, an appeal that comes courtesy of Roy Thomas Baker's stellar production. The legendary producer, best known for his work with Queen, ensured that the record seamlessly packed a smooth midrange, spacious imaging, and call-and-answer choruses in one tight package. Baker's trademark touches with harmony vocals abound.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAnd now, \u003cem data-mce-fragment=\"1\"\u003eThe Cars\u003c\/em\u003e sounds better than it has in any previous incarnation. Mastered from the original analog tapes, Mobile Fidelity's numbered-edition LP allows the music's oscillating rhythms, futuristic keyboard passages, panned stereo images, and rippling textures to be experienced like never before. The songs take on a surreal quality, the Cars manipulating the vibrant music at will to mesmerize the listeners' senses and hold them at bay. Mobile Fidelity's unparalleled pressing epitomizes the sensation of \"moving in stereo!\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\"The MoFi disc is much better than the original in every way. It's more dynamic, much more natural on top, and all three dimensions have a lot bigger space. This disc is great from start to finish, but \"Moving in Stereo\" will blow you away on a great system in a big room.\"\u003c\/em\u003e \u003cbr data-mce-fragment=\"1\"\u003e—Jeff Dorgay, \u003cem data-mce-fragment=\"1\"\u003eTONE Audio\u003c\/em\u003e, Issue 23\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eGet your numbered edition of this collector's LP today!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e1. Good Times Roll \u003cbr\u003e2. My Best Friend's Girl\u003cbr\u003e3. Just What I Needed \u003cbr\u003e4. I'm in Touch With Your World \u003cbr\u003e5. Don't Cha Stop \u003cbr\u003e6. You're All I've Got Tonight \u003cbr\u003e7. Bye Bye Love \u003cbr\u003e8. Moving in Stereo \u003cbr\u003e9. All Mixed Up\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Music Direct","offers":[{"title":"Default Title","offer_id":41820113305774,"sku":"821797127417","price":42.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/products\/c_3c5d590c-31ff-4378-a83c-39cf47e0491a.jpg?v=1661363175"},{"product_id":"charles-mingus-let-my-children-hear-music-180g-all-analogue-audiophile-pressing","title":"Charles Mingus - Let My Children Hear Music [180G\/ Analogue Productions Audiophile Pressing]","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan size=\"4\" style=\"font-size: large;\" data-mce-fragment=\"1\"\u003eCharles Mingus \u003cem data-mce-fragment=\"1\"\u003eLet My Children Hear Music\u003c\/em\u003e On 180g Import LP\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRecorded on four dates in 1971 and released in 1972, Charles Mingus' \u003cem data-mce-fragment=\"1\"\u003eLet My Children Hear Music\u003c\/em\u003e is one of the jazz legend's most ambitious efforts and among the finest from the last stage of his career. The album consists of extended compositions for jazz orchestra with featured soloists Charles McPherson, James Moody, and Sir Roland Hanna, and arrangements and orchestrations by Sy Johnson. On the original LP issued by Columbia, Mingus thanked producer Teo Macero for \"his untiring efforts in producing the best album I have ever made.\"\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCharles Mingus \u003cem data-mce-fragment=\"1\"\u003eLet My Children Hear Music \u003c\/em\u003eTrack Listing\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e1.  Shoes of the Fisherman's Wife Are Some Jive Ass Slippers\u003cbr data-mce-fragment=\"1\"\u003e2.  Adagio ma Non Troppo\u003cbr data-mce-fragment=\"1\"\u003e3.  Don't Be Afraid, the Clown's Afraid Too\u003cbr data-mce-fragment=\"1\"\u003e4.  Hobo Ho\u003cbr data-mce-fragment=\"1\"\u003e5.  Chill of Death\u003cbr data-mce-fragment=\"1\"\u003e6.  The I of Hurricane Sue \u003c\/p\u003e","brand":"Music Direct","offers":[{"title":"Default Title","offer_id":41820110848174,"sku":"5060149621134","price":47.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/products\/mingus.jpg?v=1659107306"},{"product_id":"chet-baker-chet-baker-crew-2lp-analogue-audiophile-remaster","title":"Chet Baker - Chet Baker \u0026 Crew [2LP\/ 180G\/ Analogue Audiophile Remaster]","description":"\u003cp\u003eThe numbers heard on \u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eChet Baker \u0026amp; Crew \u003c\/strong\u003e\u003c\/em\u003ewere among a prolific flurry of recordings Baker was involved in during the last week of July 1956, fresh from an extended European stay. The crew on these sides includes Phil Urso (tenor sax), Bobby Timmons (piano), Jimmy Bond (bass), Peter Littman (drums), and of course Baker (trumpet\/vocals). Joining the combo on both the original as well as the alternate take of “\u003cem data-mce-fragment=\"1\"\u003eTo Mickey’s Memory\u003c\/em\u003e” and “\u003cem data-mce-fragment=\"1\"\u003ePawnee Junction\u003c\/em\u003e” is Bill Loughbrough (chromatic tympani). His unmistakable percussive accents and tuned drum solos give these West Coast bop tracks uniquely Polynesian intonations.\u003c\/p\u003e\n\u003cp\u003eThe band members take full advantage of their individual roles and abilities as soloists to really stretch out on “\u003cem data-mce-fragment=\"1\"\u003eSlightly Above Moderate\u003c\/em\u003e” and the Urso-credited composition “\u003cem data-mce-fragment=\"1\"\u003eHalema,\u003c\/em\u003e” named after Baker’s wife. The chemistry of cool that flows between Urso and Baker is perhaps at its finest during the seamless exchange heard on “\u003cem data-mce-fragment=\"1\"\u003eWorryin’ The Life Out Of Me\u003c\/em\u003e.” Timmons also boasts notable contributions throughout. His playful and scampering style dresses up the bluesy “\u003cem data-mce-fragment=\"1\"\u003eLucius Lu\u003c\/em\u003e” and “\u003cem data-mce-fragment=\"1\"\u003eLine for Lyons\u003c\/em\u003e,” among others. The latter is also notable as it contains the sole Baker vocal on this set.\u003c\/p\u003e\n\u003cp\u003eThis LP reissue of \u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eChet Baker \u0026amp; Crew \u003c\/strong\u003e\u003c\/em\u003eincreases the original eight-song Pacific Jazz collection to include all 14 tracks completed during three sessions in late July 1956 at the Forum Theater in Los Angeles.\u003c\/p\u003e\n\u003cp\u003e1.  To Mickey's Memory\u003cbr\u003e2.  Slightly Above Moderate\u003cbr\u003e3.  Halema\u003cbr\u003e4.  Revelation\u003cbr\u003e5.  Something For Liza\u003cbr\u003e6.  Lucius Lu\u003cbr\u003e7.  Worrying The Life Out Of Me\u003cbr\u003e8.  Medium Rock\u003cbr\u003e9.  To Mickey's Memory (Alternate Take)\u003cbr\u003e10. Jumpin' Off A Clef\u003cbr\u003e11. Chippyin'\u003cbr\u003e12. Pawnee Junction\u003cbr\u003e13. Music To Dance By\u003cbr\u003e14. Line For Lyons\u003c\/p\u003e","brand":"Music Direct","offers":[{"title":"Default Title","offer_id":41820107604142,"sku":"5060149621141","price":64.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/products\/cbcrew.jpg?v=1643582040"},{"product_id":"chet-baker-chet-the-lyrical-trumpet-of-chet-baker-180g-all-analog-audiophile-pressing","title":"Chet Baker - Chet: The Lyrical Trumpet of Chet Baker [180G\/ All-Analog Audiophile Pressing]","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eChet\u003c\/i\u003e is an album by jazz trumpeter Chet Baker first released in 1959. The record is sometimes subtitled \u003ci data-mce-fragment=\"1\"\u003eThe Lyrical Trumpet of Chet Baker\u003c\/i\u003e. \u003ci data-mce-fragment=\"1\"\u003eChet\u003c\/i\u003e features performances by Baker with flautist Herbie Mann, saxophonist Pepper Adams, pianist Bill Evans, guitarist Kenny Burrell, bassist Paul Chambers, and either Connie Kay or Philly Joe Jones on drums. It was recorded in December 1958 and January 1959 and released on the Riverside Recordings label.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThough Baker was by the late 1950s known as much for his singing as his trumpet playing, this album is entirely instrumental. It contains 9 standard ballads played in the styles of Hard Bop to Cool Jazz. The album is entirely devoted to explorations of the ballad mood, it includes considerable variety.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eSide A\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1. Alone Together\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. How High the Moon\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. It Never Entered My Mind\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. ’Tis Autumn\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSide B\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1. If You Could See Me Now\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. September Song\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. You’d Be So Nice to Come Home To\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. Time on My Hands\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. You and the Night and the Music\u003c\/span\u003e\u003c\/p\u003e","brand":"33 1\/3 Record Distributors","offers":[{"title":"Default Title","offer_id":41820107505838,"sku":"888072197664","price":30.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/products\/chetbakerchet.jpg?v=1659109025"},{"product_id":"chet-baker-plays-the-best-of-lerner-loewe-180g-all-analog-audiophile-pressing","title":"Chet Baker - Plays the Best of Lerner \u0026 Loewe [180G\/ All-Analog Audiophile Pressing]","description":"\u003cp data-mce-fragment=\"1\"\u003eThis is one of the last Chet Baker (trumpet) long players recorded in the States prior to the artist relocating to Europe in the early '60s. Likewise, the eight-tune collection was the final effort issued during his brief association with the Riverside Records imprint. The project was undoubtedly spurred on by the overwhelming success of the Shelly Manne-led combo that interpreted titles taken from the score to \u003cem data-mce-fragment=\"1\"\u003eMy Fair Lady\u003c\/em\u003e (1956). In addition to becoming an instant classic, Manne's LP was also among of the best-selling jazz platters of all time.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhile Baker and crew may have gained their inspiration from Manne, these readings are comparatively understated. That said, the timelessness of the melodies, coupled with the assembled backing aggregate, make \u003cem data-mce-fragment=\"1\"\u003eChet Baker Plays the Best of Lerner and Loewe\u003c\/em\u003e (1959) a memorable concept album.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eSide A\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1. I’ve Grown Accustomed to your Face \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. I Could Have Danced All Night \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. The Heather on the Hill \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. On the Street Where You Live\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSide B\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1. Almost Like Being in Love \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. Thank Heaven for Little Girls \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. I Talk to the Trees \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. Show Me \u003c\/span\u003e\u003c\/p\u003e","brand":"Music Direct","offers":[{"title":"Default Title","offer_id":41820107309230,"sku":"888072197565","price":31.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/products\/chetbakerll.jpg?v=1659108531"},{"product_id":"chet-baker-sings-180g-blue-note-tone-poet-series-awaiting-repress","title":"Chet Baker - Sings [180G\/ Remastered] (Blue Note Tone Poet Series)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eAll-Analog 180g Vinyl LP of Chet Baker Sings Mastered from the Original Master Tapes by Kevin Gray \u0026amp; Pressed at RTI: Reference-Caliber Blue Note Reissue Helmed by Music Matters' Joe Harley\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThere are several Chet Baker albums with the title\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eChet Baker Sings\u003c\/em\u003e, but this one recorded for Pacific Jazz in 1954 and 1956 is the original, and arguably, the best. The album features Chet's indelible vocals and sterling trumpet playing with two different quartet line-ups both featuring pianist Russ Freeman on a set of classic standards that he made his own including \"My Funny Valentine,\" \"That Old Feeling,\" and \"I Fall In Love Too Easily.\" For the first time in more than 60 years, this definitive edition was cut from the original master tapes in the correct order with pristine fidelity. The gatefold packaging includes additional session photography by William Claxton.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBlue Note Records' acclaimed Tone Poet Audiophile Vinyl Reissue Series continues in 2021. Launched in 2019 in honor of the label's 80th Anniversary, the Tone Poet series is produced by Joe Harley (from Music Matters) and features all-analog, 180g audiophile vinyl reissues that are mastered from the original master tapes by Kevin Gray of Cohearent Audio. Tone Poet vinyl is manufactured at RTI in Camarillo, CA, and packaged in deluxe Stoughton Printing \"Old Style\" gatefold Tip-On jackets. The titles were once again handpicked by Harley and cover the crème de la crème of the Blue Note catalog along with underrated classics, modern era standouts, and albums from other labels under the Blue Note umbrella including Pacific Jazz and United Artists Records. Every aspect of these Blue Note\/Tone Poet releases is done to the highest-possible standard. It means that you will never find a superior version.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"The LPs are mastered directly from the original analog master tapes by Kevin at his incredible facility called Cohearent Mastering. We go about it in the exact same way that we did for so many years for the Music Matters Blue Note reissues. We do not roll off the low end, boost the top or do any limiting of any kind. We allow the full glory of the original Blue Note masters to come though unimpeded! Short of having an actual time machine, this is as close as you can get to going back and being a fly on the wall for an original Blue Note recording session.\"\u003cbr data-mce-fragment=\"1\"\u003e- Joe Harley\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFeatures:\u003cbr data-mce-fragment=\"1\"\u003e• Blue Note Tone Poet Series\u003cbr data-mce-fragment=\"1\"\u003e• Curated by Music Matters co-founder Joe Harley\u003cbr data-mce-fragment=\"1\"\u003e• Audiophile-quality 180g vinyl LP\u003cbr data-mce-fragment=\"1\"\u003e• All-analog mastering (direct from the master tapes) by Kevin Gray\u003cbr data-mce-fragment=\"1\"\u003e• Manufactured at Record Technology Incorporated\u003cbr data-mce-fragment=\"1\"\u003e• Deluxe gatefold jacket packaging\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThat Old Feeling\u003cbr\u003eIt's Always You\u003cbr\u003eLike Someone In Love\u003cbr\u003eMy Ideal\u003cbr\u003eI've Never Been In Love Before\u003cbr\u003eMy Buddy\u003cbr\u003eBut Not For Me\u003cbr\u003eTime After Time\u003cbr\u003eI Get Along Without You Very Well\u003cbr\u003eMy Funny Valentine\u003cbr\u003eThere Will Never Be Another You\u003cbr\u003eThe Thrill Is Gone\u003cbr\u003eI Fall In Love Too Easily\u003cbr\u003eLook For The Silver Lining\u003c\/p\u003e","brand":"Music Direct","offers":[{"title":"Default Title","offer_id":41820107178158,"sku":"602508358913","price":42.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/products\/602508358913.jpg?v=1638588313"},{"product_id":"chick-corea-now-he-sings-now-he-sobs-180g-blue-note-tone-poet-series","title":"Chick Corea - Now He Sings, Now He Sobs [180G\/ Remastered] (Blue Note Tone Poet Series)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLimited 180gm vinyl LP pressing in gatefold jacket. Chick's brilliant trio album from 1968, \u003cem\u003eNow He Sings, Now He Sobs\u003c\/em\u003e is held in the same kind of rarefied esteem as the classic Bill Evans trio sessions. One listen will tell you why... The exquisite interplay between Chick, Czech bassist Miroslav Vitous and drum master Roy Haynes make it abundantly clear why this album has achieved such legendary status among jazz piano trio recordings. \u003cem\u003eNow He Sings, Now He Sobs\u003c\/em\u003e features a program of all Corea compositions including the first recording of Matrix, one of Corea's most beloved tunes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e1\u003c\/span\u003e Steps - What Was (Side A)\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e2\u003c\/span\u003e Matrix (Side A)\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e3\u003c\/span\u003e Now He Sings - Now He Sobs (Side B)\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e4\u003c\/span\u003e Now He Beats the Drum - Now He Stops (Side B)\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e5\u003c\/span\u003e The Law of Falling and Catching Up (Side B)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"33 1\/3 Record Distributors","offers":[{"title":"Default Title","offer_id":41820106490030,"sku":"602577199820","price":42.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/products\/602577199820.jpg?v=1638588291"},{"product_id":"clifford-brown-and-max-roach-study-in-brown-180g-acoustic-sounds-audiophile-pressing","title":"Clifford Brown and Max Roach - Study in Brown [180G\/ Acoustic Sounds Audiophile Pressing]","description":"\u003cp\u003e\u003cstrong\u003eAll-Analog 180g Vinyl LP of Clifford Brown and Max Roach's Study In Brown Remastered from the Original Analog Tapes, Pressed at QRP, and Housed in Stoughton Gatefold Jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen these nine sides were cut in February 1955, trumpeter Clifford Brown was not even 25 years old, but he'd already emerged as jazz's greatest trumpeter this side of Miles Davis. Whereas Davis made his mark through conception, composition, and cool tones, Brown was a blowing, blaring, blistering fire who navigated chord changes without a second's pause.\u003cbr\u003e\u003cbr\u003eThis record gives listeners plenty of chance to marvel at his fleet improvisations and sharp tone, which remarkably never lost its fullness at any speed. The m.o. of the quintet was pretty well set at this point: reinvigorated standards augmented by crafty introductions and taken at full bore; sprite originals with complex melodies; and an urgency unmatched in jazz before or since. Pianist Richie Powell and tenor Harold Land admirably keep pace with the leaders.\u003c\/p\u003e\n\u003cp\u003eThis all-analog 180g vinyl LP reissue was mastered from the original analog tapes by Ryan K. Smith at Sterling Sound, pressed at QRP, and comes housed in a Stoughton tip-on gatefold jacket.\u003c\/p\u003e\n\u003cp\u003eMusicians:\u003cbr\u003eClifford Brown, trumpet\u003cbr\u003eMax Roach, drums\u003cbr\u003eHarold Land, tenor saxophone\u003cbr\u003eRichie Powell, piano\u003cbr\u003eGeorge Morrow, bass\u003c\/p\u003e\n\u003cp\u003eFeatures:\u003cbr\u003e• All-analog 180g vinyl LP\u003cbr\u003e• Acoustic Sounds Series reissues from Verve\/Universal Music Enterprises\u003cbr\u003e• Two monthly releases highlighting Verve's historic and best jazz records\u003cbr\u003e• Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes\u003cbr\u003e• Pressed at Quality Record Pressings\u003cbr\u003e• Stoughton Printing gatefold old-style tip-on jacket\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCherokee\u003c\/li\u003e\n\u003cli\u003eJacqui\u003c\/li\u003e\n\u003cli\u003eSwingin'\u003c\/li\u003e\n\u003cli\u003eLands End\u003c\/li\u003e\n\u003cli\u003eGeorge's Dilemma\u003c\/li\u003e\n\u003cli\u003eSandu\u003c\/li\u003e\n\u003cli\u003eGerkin For Perkin\u003c\/li\u003e\n\u003cli\u003eIf I Love Again\u003c\/li\u003e\n\u003cli\u003eTake The A Train\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Music Direct","offers":[{"title":"Default Title","offer_id":41820100952238,"sku":"602507352448","price":42.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/products\/c_cba50213-04df-4969-8220-616dcdbd815a.jpg?v=1652999422"},{"product_id":"cyndi-lauper-she-s-so-unusual-mofi-awaiting-repress","title":"Cyndi Lauper - She's So Unusual [180G\/ Numbered Ltd Ed] (MoFi)","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eCyndi Lauper \u003cem data-mce-fragment=\"1\"\u003eShe’s So Unusual\u003c\/em\u003e on Numbered Edition LP from Mobile Fidelity Silver Label\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eShe Bop: 1984 Commercial Blockbuster Combines Mainstream Hooks, Self-Assertive Confidence, and Whimsical Attitude\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eA True Original: Lauper Bridges Rebellious New-Wave, Giddy Pop, and Girlish Vocals: Includes Top 5 Anthems “Girls Just Want to Have Fun” and “Time After Time” \u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eBack on Vinyl for 1st Time in Decades: Mastered on Mobile Fidelity’s World-Renowned Mastering System and Pressed at RTI\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eForget, for a moment, about the gypsy clothes, raspberry-pink hair, costume jewelry, and hyperactive behavior. No female artist’s debut better epitomized MTV’s vivid heyday and the smart intersection of self-reliant female politics, savvy hooks, and vibrant imagery than Cyndi Lauper’s \u003cem data-mce-fragment=\"1\"\u003eShe’s So Unusual\u003c\/em\u003e. Long before Lady Gaga, and before Madonna embraced any traits resembling punk, the New York native ushered in a new wave of commercial pop while flaunting an exuberant confidence that, overnight, influenced a generation to dye their hair and embrace life with newfound vibrancy. Girls, indeed, just wanted to have fun.\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eMastered on Mobile Fidelity’s internationally acclaimed mastering system and pressed at RTI, this Silver Label LP rescues the music from long-standing harshness and disadvantageous brittleness. Back on vinyl for the first time in decades, the multi-platinum 1984 blockbuster sounds completely anew, possessing crisper beats, a fleshed-out midrange, no artificial ceilings, and a clear alleyway to Lauper’s girlish voice. Finally, the sonics possess the wide spectrum of colors that flavor the songs. \u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eHelmed by the anthem “Girls Just Want to Have Fun,” \u003cem data-mce-fragment=\"1\"\u003eShe’s So Unusual \u003c\/em\u003etransformed pop culture by way of Lauper’s charismatic personality, whimsical attitude, lively performances, unique timbre, witty humor, and unabated passion. Throughout, she’s a whirlwind of emotion and cyclone of spirit, tackling insouciant party tracks with the same verve she sings arresting ballads. And while for most it would be a deterrent, Lauper sculpts her chirpy, bop-friendly voice to her advantage, underscoring each song’s combination of sentimentality and seditiousness.\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003e“With a voice that combined the cartoon soul of Little Eva and the wink-wink naughtiness of Betty Boop, Lauper may have backed away from the depth or urgency of the writers whose work she mainstreamed, but her transformation of their power into sheer pop was ultimately subversive—giggling all the way, she incited legions of mall rats into orange-hair rebellion and a measure of self-assertion,” wrote Paul Evans for \u003cem data-mce-fragment=\"1\"\u003eThe New Rolling Stone Album Guide\u003c\/em\u003e, hinting at the record’s normally unseen depth.\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eWhether viewed as a subversive new-wave crossover statement or simply as a celebratory declaration of individualism (or, both), \u003cem data-mce-fragment=\"1\"\u003eShe’s So Unusual \u003c\/em\u003eis an 80s landmark and influential harbinger of the role women would play in both rock and pop. \u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eCyndi Lauper \u003cem data-mce-fragment=\"1\"\u003eShe’s So Unusual\u003c\/em\u003e Track Listing:\u003c\/p\u003e\n1. Money Changes Everything\u003cbr data-mce-fragment=\"1\"\u003e2. Girls Just Want to Have Fun\u003cbr data-mce-fragment=\"1\"\u003e3. When You Were Mine\u003cbr data-mce-fragment=\"1\"\u003e4. Time After Time\u003cbr data-mce-fragment=\"1\"\u003e5. She Bop\u003cbr data-mce-fragment=\"1\"\u003e6. All Through the Night\u003cbr data-mce-fragment=\"1\"\u003e7. Witness\u003cbr data-mce-fragment=\"1\"\u003e8. I’ll Kiss You\u003cbr data-mce-fragment=\"1\"\u003e9. He’s So Unusual\u003cbr data-mce-fragment=\"1\"\u003e10. Yeah Yeah","brand":"Music Direct","offers":[{"title":"Default Title","offer_id":41820091416750,"sku":"821797100274","price":31.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/products\/moficyndi.jpg?v=1644605988"},{"product_id":"daryl-hall-and-john-oates-private-eyes-mofi","title":"Daryl Hall \u0026 John Oates - H2O [180G\/ Remastered\/ Numbered Ltd Ed] (MoFi)","description":"\u003cp\u003e\u003cstrong\u003e1982 Multi-Platinum Smash Both Creatively Ambitious and Commercially Successful\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncludes \"Maneater,\" \"One on One,\" and \"Family Man\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered from the Original Master Tapes: Sound Cuts to the Heart of Tandem's Balanced, Melodic, Smooth Sound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1\/2\" \/ 30 IPS analog master to DSD 64 to analog console to lathe\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHall and Oates' biggest-selling album also stands as their most ambitious. Recorded in 1982, when the duo practically owned the pop market,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eH20\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003estrikes a keen equilibrium between polish, melody, muscle, and craft. The vocalists expand the emotional reach of their songwriting, and shepherd meticulous production and measured arrangements toward thrilling intersections of blue-eyed soul, edge new wave, soft rock, and dance. Staked to two giant singles, the double-platinum affair lingers as the group's last masterwork.\u003c\/p\u003e\n\u003cp\u003eMastered from the original master tapes and pressed on 180g LP at RTI, Mobile Fidelity's reissue of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eH20\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efalls in line with the label's other Hall and Oates restorations. Fans that think they know the set backwards and forwards will even be stunned at how much sharper vocal harmonies sound, how much richer the dynamics have become, and how broad and deep the soundstage now spans. One listen, and you'll know why this record marks the tandem's creative pinnacle.\u003c\/p\u003e\n\u003cp\u003eOh-oh, here she comes! Yes, you know the refrain. In their number-one smash and album-opening \"Maneater,\" Hall and Oates distill all the trademark traits that made their music irresistible. Swinging verse structures; call-and-responses choruses; catchy, stick-in-your-head hooks; smooth synthesizer layers; doo-wop vocal fills; and here, even a reggae-nodding rhythm and cool saxophone lines to stir up the mood and atmosphere. The blend of seemingly disparate styles would seem disastrous in nearly any other artists' hands, yet here, it's euphoria. All of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eH20\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003efollows suit.\u003c\/p\u003e\n\u003cp\u003eSimply look to the other Top Ten hit, \"One on One,\" an elegantly seductive jam sent up with witty metaphors, mellow balladic foundations, syncopated singing, falsetto stretches, and percolating drum-machine beats that add to the soulful feel. Or to the attractive power-pop of \"Delayed Reaction,\" slinky and sensual \"Open All Night,\" mechanized synthpop statement \"Crime Pays,\" fun-loving spirit of \"Italian Girls,\" and horn-laden \"Art of Heartbreak.\" Again claiming an advantage lost on most of their contemporary pop peers, Hall and Oates cut the album with their superb touring band in support, buttressing the fare with genuine instruments and full-bodied tones.\u003c\/p\u003e\n\u003cp\u003eAfter the release of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eH20\u003c\/em\u003e, Hall and Oates soon became history's all-time biggest-selling male duo. This early 80s benchmark has much to do with their achievement, and deserves to be heard in the best-possible fidelity. 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With a career spanning over six decades, his experiments in odd time signatures, improvised counterpoint, polyrhythm and polytonality remain hallmarks of innovation.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDave Brubeck's defining masterpiece \u003cem data-mce-fragment=\"1\"\u003eTime Out \u003c\/em\u003ewas originally issued on Columbia in 1959 and ranks as one of the most popular jazz albums ever made even though its radical exploration of time signatures outside of the standard 4\/4 beat or 3\/4 waltz was widely disparaged by his record company and critics initially.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFeaturing the first jazz instrumental to sell a million copies with Paul Desmond's \"Take Five,\" as well as iconic fare like \"Blue Rondo A La Turk,\" \"Three To Get Ready\" and \"Kathy's Waltz,\" this is the Dave Brubeck Quartet at the height of their popularity and power. \u003cem data-mce-fragment=\"1\"\u003eTime Out\u003c\/em\u003e truly overflows with superb performances from pianist Brubeck, alto saxophonist Desmond, drummer Joe Morrello and bassist Gene Wright top to bottom!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMusicians:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eDave Brubeck, piano\u003cbr data-mce-fragment=\"1\"\u003ePaul Desmond, alto saxophone\u003cbr data-mce-fragment=\"1\"\u003eGene Wright, bass\u003cbr data-mce-fragment=\"1\"\u003eJoe Morrello, drums\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFeatures:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e• 200g vinyl\u003cbr data-mce-fragment=\"1\"\u003e• 33 1\/3 rpm\u003cbr data-mce-fragment=\"1\"\u003e• Mastered by Bernie Grundman\u003c\/p\u003e","brand":"Music Direct","offers":[{"title":"Default Title","offer_id":41820082536622,"sku":"753088819216","price":47.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/products\/brubeck-timeout_11b6f1d7-8a41-4b6f-ab06-b265731b0653.jpg?v=1643843839"},{"product_id":"dave-brubeck-quartet-time-out-2lp-200g-45rpm-all-analogue-audiophile-pressing","title":"Dave Brubeck Quartet - Time Out [2LP\/ 200G\/ 45RPM\/ Analogue Productions Audiophile Pressing]","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"MdRemovedH1\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDave Brubeck Quartet \u003cem data-mce-fragment=\"1\"\u003eTime Out \u003c\/em\u003eon 2000g 45RPM 2LP from Analogue Productions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MdRemovedH2\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDefinitive Audiophile Edition: Cut at 45RPM by Bernie Grundman and Pressed at Quality Record Pressings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MdRemovedH2\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eFirst Time in Deluxe Gatefold Jacket: Features Rare B\u0026amp;W Session Photos; Special Outer Jacket Shell by Stoughton Printing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFew things are better than when one of history's truly, inarguably all-time-great albums comes to life like never before on a spectacular LP edition that simply makes the music live and breathe, as if it's being created in the moment. This is one of those pressings. And when it comes to jazz, nothing surpasses \u003cem data-mce-fragment=\"1\"\u003eTime Out\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAll music lovers have likely heard the Dave Brubeck Quartet, even if they've never realized it. The collective's smash hit \"Take Five\" has graced the soundtracks of multiple films, including \u003cem data-mce-fragment=\"1\"\u003eMighty Aphrodite, Pleasantville\u003c\/em\u003e, and \u003cem data-mce-fragment=\"1\"\u003eConstantine\u003c\/em\u003e, and remains famous for its distinctive, catchy saxophone melody—as well as its use of unusual 5\/4 time. Here's the rare jazz track that became a pop hit.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt's just one of the reasons why \u003cem data-mce-fragment=\"1\"\u003eTime Out\u003c\/em\u003e is a jazz and audiophile classic. The 1959 landmark belongs in every record collection. But none more so than this Analogue Productions version, a reference-caliber sonic spectacular cut at 45RPM on 200-gram premium vinyl,and pressed at Quality Record Pressings.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith the program material now spread over four sides of vinyl, reducing distortion and high-frequency loss, and wider-spaced grooves to let stereo cartridges track more accurately,\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003ewe guarantee you've never heard the pianist's nonpareil blend of cool and West Coast jazz emerge with such depth, detail, dimensionality, and liveliness. In addition, for the first time in its history, \u003cem data-mce-fragment=\"1\"\u003eTime Out\u003c\/em\u003e comes packaged in a deluxe gatefold jacket featuring eight fantastic black-and-white images shot during the recording session at Columbia's famous 30th Street Studios.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMoreover, the heavy-duty jacket is produced by Stoughton Printing and claims a printed wrap mounted to a heavyweight chipboard shell in order to produce an authentic old-school look and feel. Never has the effort's iconic cover art looked so vibrant. About that picture: Record-label sales executives didn't want a painting on the cover, according to Brubeck. And an entire album of originals? That wouldn't work either, he was told. Fortunately, Brubeck ignored conventional wisdom and \u003cem data-mce-fragment=\"1\"\u003eTime Out\u003c\/em\u003e became a watershed release. Brubeck proved creative jazz and popular success can go together.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWithin weeks of release, \u003cem data-mce-fragment=\"1\"\u003eTime Out\u003c\/em\u003e peaked at No. 2 on the \u003cem data-mce-fragment=\"1\"\u003eBillboard \u003c\/em\u003epop albums chart and was certified platinum. \"Take Five\" became a mainstream hit, reaching No. 25 on the \u003cem data-mce-fragment=\"1\"\u003eBillboard \u003c\/em\u003eHot 100, and No. 5 on the Easy Listening survey, the precursor to today's Adult Contemporary charts.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSales aside, Brubeck and Co.'s playing, and the cerebral compositions within, continue to make \u003cem data-mce-fragment=\"1\"\u003eTime Out\u003c\/em\u003e one of the most beloved albums of the past century, genre aside. You owe it to yourself to hear it in the best analog fidelity possible. You owe it to yourself to get this pressing.\u003c\/p\u003e\nThe Dave Brubeck Quartet \u003cem data-mce-fragment=\"1\"\u003eTime Out\u003c\/em\u003e Track Listing:\n\u003col data-mce-fragment=\"1\"\u003e\u003c\/ol\u003e\nBlue Rondo A La Turk\u003cbr\u003eStrange Meadow Lark\u003cbr\u003eTake Five\u003cbr\u003eThree To Get Ready\u003cbr\u003eKathy's Waltz\u003cbr\u003eEverybody's Jumpin'\u003cbr\u003ePick Up Sticks","brand":"Music Direct","offers":[{"title":"Default Title","offer_id":41820082208942,"sku":"753088819278","price":69.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/products\/brubeck-timeout_def38763-468e-44f4-817e-359a6b459892.jpg?v=1643843964"},{"product_id":"dave-brubeck-quartet-the-at-carnegie-hall-180g-2lp-all-analogue-audiophile-pressing","title":"Dave Brubeck Quartet - At Carnegie Hall [180G\/ 2LP\/ Speakers Corner All-Analogue Audiophile Pressing]","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eMany critics regard\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDave Brubeck’s\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eCarnegie Hall\u003c\/em\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003econcert from February of 1963 as his greatest ever live appearance. But who can really determine that? For no one – apart from Brubeck himself – would have seen and heard his conservatively estimated 12,000 concerts.\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eAlthough the twelve titles had already been released on LPs that had been recorded in the studio, these records were certainly not known to all those in the audience. In between the numbers on each LP, Brubeck made little 'advertising spots' in short comments, but with such charm and wit that one really cannot be angry with him.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eThe concert program begins with \"St. Louis Blues\" and ends with \"Take Five.\" Luckily, the solos are distributed among all the musicians, so that Paul Desmond and Joe Morello – whose prowess on this evening can only be called 'amazingly good' – justifiably received enthusiastic applause from both the audience and us alike. \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\"Castilian Drums\" demonstrates Morello’s wealth of ideas and his grandiose feeling for rhythm; though short, Paul Desmond’s solos (\"Southern Scene\" is a good example!) are compelling, highly melodic, lyrical and possess a unique tone – as such they are immediately recognisable. \u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eHow fortunate that the twelve brilliantly improvised numbers are now available once again on vinyl, having been recorded live at the legendary Carnegie Hall 50 years ago!\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMusicians:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e- Dave Brubeck (piano)\u003c\/div\u003e\n\u003cdiv\u003e- Paul Desmond (alto saxophone)\u003c\/div\u003e\n\u003cdiv\u003e- Eugene Wright (bass)\u003c\/div\u003e\n\u003cdiv\u003e- Joe Morello (drums)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eDave Brubeck\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Dave Brubeck Quartet At Carnegie Hall\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eTrack Listing:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eLP1\u003c\/div\u003e\n\u003cdiv\u003e1.  St. Louis Blues\u003c\/div\u003e\n\u003cdiv\u003e2.  Bossa Nova U.S.A.\u003c\/div\u003e\n\u003cdiv\u003e3.  For All We Know\u003c\/div\u003e\n\u003cdiv\u003e4.  Pennies From Heaven\u003c\/div\u003e\n\u003cdiv\u003e5.  Southern Scene \u003c\/div\u003e\n\u003cdiv\u003e6.  Three To Get Ready\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eLP2\u003c\/div\u003e\n\u003cdiv\u003e1.  Eleven Four\u003c\/div\u003e\n\u003cdiv\u003e2.  King For A Day\u003c\/div\u003e\n\u003cdiv\u003e3.  Castillian Drums\u003c\/div\u003e\n\u003cdiv\u003e4.  It's A Raggy Waltz\u003c\/div\u003e\n\u003cdiv\u003e5.  Blue Rondo A La Turk\u003c\/div\u003e\n\u003cdiv\u003e6.  Take Five\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Music Direct","offers":[{"title":"Default Title","offer_id":41820081094830,"sku":"4260019714299","price":76.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/products\/brubeckcarnegieap.jpg?v=1639453543"},{"product_id":"derek-the-dominos-layla-and-other-assorted-love-songs-mofi-2lp-180g-numbered-ltd-ed","title":"Derek \u0026 The Dominos - Layla and Other Assorted Love Songs (MoFi) [2LP\/ 180G\/ Numbered Ltd Ed]","description":"\u003cdiv class=\"col-lg-3 desc-title\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-lg-9 desc-content\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEric Clapton and Duane Allman in the Same Band for the Only Time: Derek and the Dominos' \u003cem data-mce-fragment=\"1\"\u003eLayla\u003c\/em\u003e a Timeless Batch of Fire-Pot Blues, Poignant Gospel, Searing Rock, and Lustful Emotion  \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMastered from the Original Master Tapes and Pressed at RTI: Mobile Fidelity 180g 2LP of \u003cem data-mce-fragment=\"1\"\u003eLayla\u003c\/em\u003e Is the Definitive-Sounding Edition, Presents Music With Immersive Detail and Realism\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e1\/4\" \/ 15 IPS analog master to DSD 256 to analog console to lathe\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe reputation of Derek and the Dominos' \u003cem data-mce-fragment=\"1\"\u003eLayla and Other Assorted Love Songs\u003c\/em\u003e, their lone record, precedes it. Eric Clapton performing in the studio with Duane Allman, Bobby Whitlock, Carl Radle, and more for the only time. A batch of fire-pot blues, poignant gospel, and searing rock – all birthed from the leader's insatiable lust for his friend George Harrison's wife. Now, experience it all, and one of the most famous guitar solos and codas in history, in unsurpassed sound courtesy of this quintessential Mobile Fidelity reissue.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180g 2LP set exposes the brilliance of Tom Dowd's original production and the scope of the virtuoso musicians' playing. You've never been closer to the aching vocals, stinging leads, tormented emotions, or wowing intensity that grace every track. Clapton's tones emerge with unprecedented soulfulness. Afforded their own space in the mix, Allman's slide-guitar passages crackle with urgency. All-important sonic components such as soundstaging, imaging, and dynamics transport you to the actual event. Mobile Fidelity's version testifies on behalf of why fans deemed Clapton god.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThen, of course, there's the title track – crowned the 27th greatest song of all time by \u003cem data-mce-fragment=\"1\"\u003eRolling Stone\u003c\/em\u003e. What to say about the outro – arguably the most famous, passionately penetrating, visceral, double-edged guitar solo in history. Clapton's strings weeping with longing, hope, regret, unrequited love. It deserves the best-possible sonic platform, and receives it here, on a pressing that brings Slowhand's every finger moment into great relief. Get inside Clapton's head, burrow into the conflicted emotions fluttering in his heart as he pines for his another man's wife, and in the process, produces an album that forever lives in the souls of anyone who's ever loved and lost.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eClapton's pained yearning permeates everything here. Works such as the swampy \"Tell the Truth,\" the pleading \"Why Does Love Got to Be So Sad?,\" and blues-drenched \"Have You Ever Loved a Woman?\" attest to his raw-nerve discomfort, guilt, and desire. He leaves teardrops on the microphone stand and blood on the floor, singing and playing as if his life depends on it and if, by some miracle, the music will serve as both a confessional and apology to Harrison. It's all magnified by Clapton achieving a spiritual and sonic oneness with his band, which matches his high-stakes precision with a rolling, tumbling looseness.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAllman adds firepower and achieves a still-unrivaled simpatico bond with Clapton, but each participant soars. Consider: The call-and-response, Sam and Dave-derived vocal exchanges between Whitlock and Clapton. Rich, creamy, Southern-stoked blends of R\u0026amp;B, blues, and soul. Vibrant tapestries in which the pianos, bass, guitars, and voices explode with ravishing fervor, naturalism, and desperation. Indeed, maybe a combo this great was only intended one shot in the studio. Perhaps the paralyzing degree of potency on display here, and the musicianship that remains the standard by which any blues-rock is judged, is meant to be preserved as one standalone record. Whatever the case, this is the version to own. \u003cbr data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Clearly the Mobile Fidelity mastering team of Krieg Wunderlich and Rob LoVerde put in the hours to lock in the bottom end of this recording, particularly Jim Gordon's toms, that [has] never before sounded this convincing. The entire bottom end, somewhat rolled on the original and definitely anemic on the Direct Disk edition, is ideal on the Mo-Fi reissue…”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e—Michael Fremer, \u003cem data-mce-fragment=\"1\"\u003eAnalog Planet\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eTrack Listing:\u003c\/em\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv aria-hidden=\"false\" id=\"tab-tracklist\" class=\"tab-content is-active\"\u003e\n\u003cdiv class=\"tab-padding\"\u003e\n\u003cdiv class=\"musicTrackList\"\u003e\n\u003col\u003e\n\u003cli\u003eI Looked Away\u003c\/li\u003e\n\u003cli\u003eBell Bottom Blues\u003c\/li\u003e\n\u003cli\u003eKeep on Growing\u003c\/li\u003e\n\u003cli\u003eNobody Knows You When You're Down and Out\u003c\/li\u003e\n\u003cli\u003eI Am Yours\u003c\/li\u003e\n\u003cli\u003eAnyday\u003c\/li\u003e\n\u003cli\u003eKey to the Highway\u003c\/li\u003e\n\u003cli\u003eTell the Truth\u003c\/li\u003e\n\u003cli\u003eWhy Does Love Got to Be So Bad?\u003c\/li\u003e\n\u003cli\u003eHave You Ever Loved a Woman?\u003c\/li\u003e\n\u003cli\u003eLittle Wing\u003c\/li\u003e\n\u003cli\u003eIt's Too Late\u003c\/li\u003e\n\u003cli\u003eLayla\u003c\/li\u003e\n\u003cli\u003eThorn Tree in the Garden\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Music Direct","offers":[{"title":"Default Title","offer_id":41820068020398,"sku":"821797247016","price":62.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/products\/DatDlayla.jpg?v=1668809795"},{"product_id":"dexter-gordon-one-flight-up-180g-blue-note-tone-poet-series","title":"Dexter Gordon - One Flight Up [180G\/ Remastered] (Blue Note Tone Poet Series]","description":"\u003cdiv id=\"aec-product-description\" class=\"col-md-12 col-sm-12 col-xs-12\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"aec-desc-review collapse\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLimited 180gm vinyl LP pressing in gatefold jacket. Dexter Gordon had been living in Europe for several years when he recorded \u003cem\u003eOne Flight Up\u003c\/em\u003e, one of his masterpieces, in Paris in 1964. It's all here: Dexter's magnificently huge sound, Donald Byrd in peak form on trumpet, the sophistication of pianist Kenny Drew, the brilliance of the then-teenaged bass phenom Niels-Henning Orsted Pederson and the rock-steady swing of drummer Art Taylor.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBlue Note Tone Poet Series features all-analog remastering.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"aec-musictabs\" class=\"ui-tabs ui-widget ui-widget-content ui-corner-all\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"mt-1\" aria-labelledby=\"MusicTracks\" class=\"ui-tabs-panel ui-widget-content ui-corner-bottom\" role=\"tabpanel\" aria-hidden=\"false\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"aec-jukebox\" class=\"tracksonly\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"jp-playlist tracksonly\" data-mce-fragment=\"1\"\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli class=\"discnum\" data-mce-fragment=\"1\"\u003e- Side 1 -\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cspan class=\"aec-tracknum\" data-mce-fragment=\"1\"\u003e1\u003c\/span\u003e Tanya\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli class=\"discnum\" data-mce-fragment=\"1\"\u003e- Side 2 -\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cspan class=\"aec-tracknum\" data-mce-fragment=\"1\"\u003e1\u003c\/span\u003e Coppin' the Haven\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cspan class=\"aec-tracknum\" data-mce-fragment=\"1\"\u003e2\u003c\/span\u003e Darn That Dream\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Music Direct","offers":[{"title":"Default Title","offer_id":41820064972974,"sku":"602435148076","price":42.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/products\/602435148076.jpg?v=1638587792"},{"product_id":"dire-straits-brothers-in-arms-2lp-45rpm-numbered-mofi-awaiting-repress","title":"Dire Straits - Brothers In Arms [2LP\/ 45RPM\/ Numbered Ltd Ed] (MoFi)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eThe Ultimate Version of the Audiophile Standard, Mastered from the Original Master Tapes: Mobile Fidelity 180g 45 RPM 2LP Set Captures Nuances, Textures, and Finite Information.\u003c\/strong\u003e\u003c\/p\u003e\nThere are hit records. And then there are blockbusters. One of the world's best-selling records, a winner of two Grammy Awards, an era-defining reference statement, an MTV favorite, and a set that catapulted an already-acclaimed band to arena status, Dire Straits'\u003cem data-mce-fragment=\"1\"\u003e Brothers in Arms\u003c\/em\u003e is the kind of epic spectacular that comes around only once or twice a decade. Surpassed only in fame and visibility during the period by Michael Jackson's\u003cem data-mce-fragment=\"1\"\u003e Thriller\u003c\/em\u003e, the 1985 album remains idiosyncratic for its covetable combination of adventurous songwriting, precision-based performances, and reference-caliber fidelity.\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMastered from the original master tapes, pressed on 45RPM LPs at RTI, and possessing a richness befitting the album's stellar reputation, Mobile Fidelity's numbered-edition 180g 45RPM 2LP set of \u003cem data-mce-fragment=\"1\"\u003eBrothers in Arms\u003c\/em\u003e breathes with transparent highs, atmospheric heft, and lifelike tonalities. This is the ultimate-sounding version of this audiophile favorite ever made.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe sense of realism this edition delivers will leave slack-jawed even the most hard-to-please audiophiles. As the recipient of the Grammy for Best-Engineered Recording, the album has always been a go-to sonic standard, but never has it sounded so reach-out-and-touch-it realistic as it does on this analog pressing. All of the hallmark characteristics – ample spaciousness, ideal balances, widescreen dynamics, immersive depth, lush production – are here in spades. As is music-making of enviable proportions.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhile it's easy to speculate that the colossal success of \u003cem data-mce-fragment=\"1\"\u003eBrothers in Arms \u003c\/em\u003erelates to its timing – its release during an era obsessed with catchy singles, flashy MTV videos, and whistle-friendly melodies – reasons for the album's chart-busting success primarily owe to the expertly crafted songs and memorable playing turned in by a group hitting its creative peak. Not to mention the spatial dimensions that cause instruments and vocals to naturally float in a fixed area.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAnchored by \"Money for Nothing,\" a caustically themed smash immediately identifiable via Mark Knopfler's resonant finger-picked guitar riff and Sting's \"I want my MTV\" vocal refrain, Dire Straits' fifth album is stuffed with bluesy signatures, jazz-rock motifs, clever lyrics, and organic accents. Diversity and consistency also extend to the songs' moods. Singing with his trademark light-to-the-touch timbre, Knopfler conjures feelings of poignancy, peacefulness, and mellowness, channeling wistfulness on the Top 10 single \"So Far Away\" and somber assurance on \"Why Worry.\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePerfection abounds, not only in the manner in which the band nails its pop hooks and uptempo boogies with debonair flair – but also in the control room. Iconic session jazz drummer Omar Hakim supplies fluid beats and solid rhythmic foundations while Knopfler and Co. comb over grooves so smooth it seems that they're made of honey butter. Dire Straits would never play with such effortless again.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eExperience this era-defining classic in the best-possible fidelity! Order your collector's copy from Music Direct today.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\"Listening to these classic albums in an entirely new way is an experience that I won't forget too soon. Having heard these songs in various different formats over the years – including hi-res digital – I have to say that on my system at least, nothing comes close to vinyl done this way.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e– David Price, \u003cem data-mce-fragment=\"1\"\u003eStereonet\u003c\/em\u003e, Applause Award\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDire Straits \u003cem data-mce-fragment=\"1\"\u003eBrothers in Arms \u003c\/em\u003eTrack Listing:\u003c\/p\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSo Far Away\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMoney for Nothing\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWalk of Life\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eYour Latest Trick\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWhy Worry\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRide Across the River\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe Man's Too Strong\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOne World\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBrothers in Arms\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Music Direct","offers":[{"title":"Default Title","offer_id":41820062449838,"sku":"821797244114","price":64.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/products\/dsbiamf.jpg?v=1658934593"},{"product_id":"dire-straits-dire-straits-2lp-180g-45rpm-numbered-ltd-ed-mofi","title":"Dire Straits - Dire Straits [2LP\/ 180G\/ 45 RPM\/ Remastered\/ Numbered Ltd Ed] (MoFi)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLimited edition teal \u0026amp; pink colored vinyl double LP pressing. 2020 release. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eAmerican Head\u003c\/em\u003e is the best and most consistent studio album from The Flaming Lips since the release of their most successful brace of albums, \u003cem\u003eThe Soft Bulletin\u003c\/em\u003e and\u003cem\u003e Yoshimi Battles The Pink Robots\u003c\/em\u003e.  Similar to those albums, the 13 songs on \u003cem\u003eAmerican Head\u003c\/em\u003e are classically structured and features the same sonic and production qualities. Kacey Musgraves (a fan who covers \"Do You Realize\" in her live set) is featured on \"God And The Policeman\".\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e1\u003c\/span\u003e Will You Return \/ When You Come Down\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e2\u003c\/span\u003e Watching the Lightbugs Glow\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e3\u003c\/span\u003e Flowers of Neptune 6\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e4\u003c\/span\u003e Dinosaurs on the Mountain\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e5\u003c\/span\u003e At the Movies on Quaaludes\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e6\u003c\/span\u003e Mother I've Taken LSD\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e7\u003c\/span\u003e Brother Eye\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e8\u003c\/span\u003e You n Me Sellin' Weed\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e9\u003c\/span\u003e Mother Please Don't Be Sad\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e10\u003c\/span\u003e When We Die When We're High\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e11\u003c\/span\u003e Assassins of Youth\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e12\u003c\/span\u003e God and the Policeman (Feat. Kacey Musgraves)\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e13\u003c\/span\u003e My Religion Is You\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Music Direct","offers":[{"title":"Default Title","offer_id":41820062318766,"sku":"821797246613","price":62.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/products\/Dire_Straits_SelfTitledMOFI.jpg?v=1639441936"},{"product_id":"dire-straits-love-over-gold-2lp-45rpm-mofi","title":"Dire Straits - Love Over Gold [2LP\/ 180G\/ 45 RPM\/ Numbered\/ Ltd Ed] (MoFi)","description":"\u003cp\u003e180-gram 45 RPM double LP set pressed at RTI!\u003c\/p\u003e\n\u003cp\u003eReissue of \u003cem\u003eLove Over Gold\u003c\/em\u003e teems with superb balances, front-to-back soundstages\u003c\/p\u003e\n\u003cp\u003e1\/2\" \/ 30 ips analog master — Plangent Processed — to DXD to analog console to lathe\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDead-quiet surfaces and extra-wide grooves reveal obscured details\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLove Over Gold\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis all about contrast, tension, and crafty composition. Dire Straits' fourth album finds the band continuing to evolve by welcoming increasingly bold arrangements and exploring moody variations. Parts edgy and sharp, and part seductive and relaxed, the five lengthy songs on\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLove Over Gold\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003esprawl out like a long, winding road cutting through a pastoral landscape. The addition of a new rhythm guitarist, Hal Lindes, encourages deeper atmospheric interplay while the presence of engineer Neil Dorfsman — his first appearance in what would be a long string of collaborations with Mark Knopfler — ensures stunning sonic properties that now come to life like never before.\u003c\/p\u003e\n\u003cp\u003eMastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180-gram 45RPM 2LP version of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLove Over Gold\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eteems with superb balances, front-to-back soundstages, and crystalline purity. The dead-quiet surfaces and extra-wide grooves bring forward previously obscured details, extra information, and mastering-studio-quality transients. The distinctive textures of a host of instruments - marimbas, acoustic and electric guitars, vibes, synthesizers — further enhance the ambitiousness of the 1982 album.\u003c\/p\u003e\n\u003cp\u003eOn this audiophile pressing, everything Knopfler does seemingly turn to gold. Gearheads will hear the unique characteristics afforded by his use of a Mesa Boogie Mark II guitar amplifier (soon again employed on Brothers in Arms) and carefully chosen selection of Schecter Stratocasters, 1937 National steel guitar, and Ovation six- and twelve-string models. Reference-level separation and lifelike imaging place Knopfler and company in your room, while tube-like warmth, spaciousness, and airiness causes the music to breathe anew. This LP will be in your rotation for months.\u003c\/p\u003e\n\u003cp\u003eIt doesn't take long to realize\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLove Over Gold\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis like no other Dire Straits album — and a staunch proclamation of independence from a band that continued to take longer creative strides with each successive project. Fearlessly extending over metaphoric hills, valleys, and plains for nearly 14-and-a-half minutes, the opening \"Telegraph Road\" is a guitar hero's dream and exhilarating showcase for Lindes' give-and-take capabilities. In tandem with keyboardist Alan Clark, Lindes provides the ideal foil for not only Knopfler but the long-time rhythm section of bassist John Illsley and drummer Pick Withers.\u003c\/p\u003e\n\u003cp\u003eTaking its time to arrive at destinations, the quintet paints evocative musical and lyrical portraits steeped in patience, drama, and, often times, sadness. Desolate emotions color the sweeping \"Telegraph Road\" and barren \"Private Investigations,\" which finds Knopfler in the role of a tired private eye contemplating the emptiness and scars of his profession. Vocally, the Dire Straits leader remains in top form throughout, his whiskey-coated rasp conveying romantic ache, ongoing frustration, and what Rolling Stone beautifully deemed \"wracking schizophrenia between the heart and the heartless, the loving and the pain.\"\u003c\/p\u003e\n\u003cp\u003eCalled Dire Straits' prog-rock statement,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLove Over Gold\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a classic that defies labeling and avoids aging.\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e \n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTelegraph Road\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePrivate Investigations\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eIndustrial Disease\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLove Over Gold\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eIt Never Rains\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"Music Direct","offers":[{"title":"Default Title","offer_id":41820062253230,"sku":"821797246910","price":62.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/products\/Dire_Straits_LoveOverGold__37863.webp?v=1666994160"},{"product_id":"dire-straits-making-movies-2lp-45rpm-mofi","title":"Dire Straits - Making Movies [2LP\/ 180G\/ 45 RPM\/ Remastered\/ Numbered Ltd Ed] (MoFi)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDire Straits Expand Musical Framework and Come Into Own on \u003cem data-mce-fragment=\"1\"\u003eMaking Movies\u003c\/em\u003e: Co-Produced by Jimmy Iovine, Thematic Album Soars With Personal Songwriting and Epic Arrangements  \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCinematic Landscapes and Intricate Passages Sound Sublime: Mobile Fidelity 45RPM 2LP Pressing of \u003cem data-mce-fragment=\"1\"\u003eMaking Movies\u003c\/em\u003e Mastered from Analog Tapes, Features Audiophile Dynamics\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBruce Springsteen Pianist Roy Bittan, Mark Knopfler's Guitar Playing, and Passionate Performances Turn \u003cem data-mce-fragment=\"1\"\u003eMaking Movies\u003c\/em\u003e Into a Classic: Includes \"Romeo and Juliet,\" \"Tunnel of Love,\" \"Solid Rock\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRECORD ONE: 1\/4\" \/ 30 IPS analog copy to DSD 256 to analog console to lathe\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRECORD TWO: 1\/4\" \/ 30 IPS analog master to DSD 256 to analog console to lathe\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eMaking Movies\u003c\/em\u003e marks a magnificent turning point in Dire Straits' career. Considered by many fans to be the group's most complete album, the 1980 set witnesses leader Mark Knopfler greatly expanding his songwriting palette and setting his storytelling amidst more complex, involving arrangements. Dire Straits also benefits from crucial contributions from Bruce Springsteen pianist Roy Bittan and the departure of rhythm guitarist David Knopfler. The songs spark with a mélange of poetry, passion, and cohesion that engages the senses and begs to be experienced again and again.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMastered from analog tapes and pressed at RTI, Mobile Fidelity's 180g 45RPM 2LP set of Making Movies breathes with reference-caliber airiness, spaciousness, dynamics, and separation. Produced by Jimmy Iovine and Knopfler, the record – which contains many Springsteen-esque elements – features the cleanliness and clarity that have long been Dire Straits trademarks. The extra-wide 45RPM grooves on this edition provide previously unattainable detail, information, and soundstaging. This is what audiophile recordings are all about.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eYou know you're in the presence of sonic greatness as soon as the first few seconds of the opening \"Tunnel of Love\" pass, as the introductory passage built on organ and piano – new additions to Dire Straits' palette – intertwine with the unmistakable coil-spring twang of Knopfler's guitar. The three-dimensional, full-bodied presentation of the latter instrument on this Mobile Fidelity LP is alone worth the price of admission. Crisp, rich, and balanced, the sound brings Knopfler's Fender Vibrolux and Music Man HD130 amplifiers into your room. The romanticism of Bittan's piano, precision timekeeping of drummer Pick Withers, and steady roll of bassist John Illsley come across with similar potency, scale, and verve.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAlways more about the whole than the sum of their individual parts, Dire Straits demonstrate that while Knopfler is the lynchpin, this record is a true band effort. Bittan's role cannot be overstated. His melodicism poetically complements Knopfler's subtle staccato rhythms and more than makes up for the exit of David Knopfler. Expansive and cinematic, the aptly titled \u003cem data-mce-fragment=\"1\"\u003eMaking Movies\u003c\/em\u003e puts a premium on interrelated subjects (love, relationships, heartbreak) and deep-seated emotions that play out in heartfelt lyrics, intense singing, and epic frameworks. Everything clicks.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe album's power isn't lost on Iovine, who later told \u003cem data-mce-fragment=\"1\"\u003eRolling Stone\u003c\/em\u003e: \"The right people were in the room together. It really was making a record in the pure sense of the term. The whole thing sounds like one song. But you what that is? That's the writing, the guy who wrote it. He wrote the album like that; he wanted to make the album like that.\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIndeed, the first five tracks – \"Tunnel of Love,\" \"Romeo and Juliet,\" \"Skateaway,\" \"Expresso Love,\" \"Hand in Hand\" – comprise a mini-suite united by theme, harmony, and spirit. Every member of the newly configured Dire Straits has a say in the shaping of the material. There's not a note out of place. Iovine and Knopfler's standout production puts it over the top.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\"Listening to these classic albums in an entirely new way is an experience that I won't forget too soon. Having heard these songs in various different formats over the years – including hi-res digital – I have to say that on my system at least, nothing comes close to vinyl done this way.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e– David Price,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eStereonet\u003c\/em\u003e, Applause Award\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTunnel of Love\u003cbr\u003eRomeo and Juliet\u003cbr\u003eSkateaway\u003cbr\u003eExpresso Love\u003cbr\u003eHand in Hand\u003cbr\u003eSolid Rock\u003cbr\u003eLes Boys\u003c\/p\u003e","brand":"Music Direct","offers":[{"title":"Default Title","offer_id":41820062122158,"sku":"821797246811","price":62.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/files\/Dire_Straits_MakingMovies__42667.1657988656.1280.1280__98455.jpg?v=1688841051"},{"product_id":"duke-ellington-blues-in-orbit-200g-all-analogue-audiophile-pressing","title":"Duke Ellington - Blues in Orbit [200G\/ Analogue Productions Audiophile Pressing]","description":"\u003cp class=\"MdRemovedH1\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDuke Ellington \u003cem data-mce-fragment=\"1\"\u003eBlues In Orbit\u003c\/em\u003e on 200g LP from Analogue Productions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MdRemovedH2\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRemastered by Bernie Grundman from the Original Analog Tapes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAlthough the slow blues title track was cut in 1958 with a fifteen-piece orchestra, the majority of the material found on Duke Ellington's undisputed Columbia Records 1960 gem \u003cem data-mce-fragment=\"1\"\u003eBlues In Orbit\u003c\/em\u003e was recorded the following year with slightly smaller configurations.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMelding the feel of a formal studio date with a loose late-night jam session, the light and nuanced \u003cem data-mce-fragment=\"1\"\u003eBlues In Orbit\u003c\/em\u003e finds the Duke trading licks with the likes of Ray Nance, Clark Terry and Johnny Hodges among others, on an 11-song set that includes a few numbers by Billy Strayhorn, established classics from the Ellington songbook as well as more recent compositions and a few rarities for good measure.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNow \u003cem data-mce-fragment=\"1\"\u003eBlues In Orbit \u003c\/em\u003egets the well-deserved full Analogue Productions reissue treatment in 2016. This super silent 200-gram vinyl edition features remastering from the original analog tapes courtesy of famed engineer Bernie Grundman, lacquers plated and pressed at Quality Record Pressings, and old-school \"tip-on\" on jacket packaging by Stoughton Printing.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMusicians:\u003cbr data-mce-fragment=\"1\"\u003eDuke Ellington (piano)\u003cbr data-mce-fragment=\"1\"\u003eBilly Strayhorn (piano)\u003cbr data-mce-fragment=\"1\"\u003eRay Nance (trumpet)\u003cbr data-mce-fragment=\"1\"\u003eCat Anderson (trumpet)\u003cbr data-mce-fragment=\"1\"\u003eShorty Baker (trumpet)\u003cbr data-mce-fragment=\"1\"\u003eClark Terry (trumpet)\u003cbr data-mce-fragment=\"1\"\u003eBritt Woodman (trombone)\u003cbr data-mce-fragment=\"1\"\u003eMatthew Gee (trombone)\u003cbr data-mce-fragment=\"1\"\u003eQuentin Jackson (trombone)\u003cbr data-mce-fragment=\"1\"\u003eJohn Sanders (valve trombone)\u003cbr data-mce-fragment=\"1\"\u003eBooty Wood (trombone)\u003cbr data-mce-fragment=\"1\"\u003eJohnny Hodges (alto saxophone)\u003cbr data-mce-fragment=\"1\"\u003eJimmy Hamilton (saxophone)\u003cbr data-mce-fragment=\"1\"\u003eRussell Procope (alto saxophone, clarinet)\u003cbr data-mce-fragment=\"1\"\u003eHarry Carney (baritone saxophone)\u003cbr data-mce-fragment=\"1\"\u003ePaul Gonsavles (tenor saxophone)\u003cbr data-mce-fragment=\"1\"\u003eJimmy Woode (bass)\u003cbr data-mce-fragment=\"1\"\u003eJimmy Johnson (drums)\u003cbr data-mce-fragment=\"1\"\u003eSam Woodyard (drums)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFeatures:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e• 200-gram vinyl reissue from Analogue Productions\u003cbr data-mce-fragment=\"1\"\u003e• Remastered by Bernie Grundman from the original analog tapes\u003cbr data-mce-fragment=\"1\"\u003e• Plated and pressed at Quality Record Pressings\u003cbr data-mce-fragment=\"1\"\u003e• Gatefold old-school \"tip-on\" on jacket by Stoughton Printing\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e1. Three J's Blues\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. Smada\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. Pie Eye's Blues\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. Sweet and Pungent\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. C Jam Blues\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. In A Mellow Tone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. Blues In Blueprint\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. The Swinger's Get The Blues Too\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9. The Swinger's Jump\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. Blues In Orbit\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11. Villes Ville Is The Place, Man\u003c\/span\u003e\u003c\/p\u003e","brand":"Music Direct","offers":[{"title":"Default Title","offer_id":41820051243182,"sku":"753088005619","price":47.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/products\/dukeellingtonbluesinorbit.jpg?v=1672260071"},{"product_id":"duke-ellington-masterpieces-200g-mono-all-analogue-audiophile-pressing","title":"Duke Ellington - Masterpieces [180G\/ Mono\/ Analogue Productions Audiophile Pressing]","description":"\u003cdiv\u003e\n\u003cdiv\u003eDuke Ellington\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMasterpieces By Ellington\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eon 180g LP from Analogue Productions\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003eRemastered from the Original Analog Tapes by Ryan Smith at Sterling Sound \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eIn the aftermath of World War II and the demise of the vast majority of swing bands and orchestras,\u003cspan\u003e \u003c\/span\u003eDuke Ellington\u003cspan\u003e \u003c\/span\u003efared better than most. Owing to his skills as a composer, sometimes arranger, and skillful bandleader, he weathered the storm. At the other end of that storm, the LP era exploded, with opportunity for the kind of extended-length compositions and concepts that Duke and his collaborator Billy Strayhorn were moving toward, away from the three-minute confines of the 78 rpm era.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eComplicating matters was the impending departure of three key players (Johnny Hodges, Lawrence Brown, and drummer Sonny Greer), and a new sound that Duke was envisioning for his band, \"the most significant juncture in the band's 47 year history,\" Grammy Award-winning writer Loren Schoenberg notes. \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eEllington's relationship with Columbia in the LP era began with 1951's\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMasterpieces by Ellington\u003c\/em\u003e, an excellent program of newly-recorded uncut concert arrangements of his familiar themes and one of the last with the aforementioned classic line-up. Includes extended takes on classics \"Mood Indigo,\" \"Sophisticated Lady,\" and \"Solitude\" plus the newer composition \"The Tattooed Bride.\"  \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eFeatures:\u003c\/div\u003e\n\u003cdiv\u003e• 180g vinyl reissue from Analogue Productions\u003c\/div\u003e\n\u003cdiv\u003e• Pressed at Quality Record Pressings\u003c\/div\u003e\n\u003cdiv\u003e• Remastered from the original analog tapes by Ryan Smith at Sterling Sound \u003c\/div\u003e\n\u003cdiv\u003e• Gatefold old-school \"tip-on\" on jacket by Stoughton Printing\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eDuke Ellington \u003cem\u003eMasterpieces By Ellington\u003c\/em\u003e Track Listing:\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e1. Mood Indigo\u003c\/div\u003e\n\u003cdiv\u003e2. Sophisticated Lady\u003c\/div\u003e\n\u003cdiv\u003e3. The Tattooed Bride\u003c\/div\u003e\n\u003cdiv\u003e4. Solitude\u003c\/div\u003e","brand":"Music Direct","offers":[{"title":"Default Title","offer_id":41820051177646,"sku":"753088441813","price":45.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/products\/duke.jpg?v=1651165253"},{"product_id":"duke-ellington-masterpieces-2lp-45rpm-200g-mono-all-analogue-audiophile-pressing","title":"Duke Ellington - Masterpieces [2LP\/ 180G\/ 45RPM\/ Mono\/ Analogue Productions Audiophile Pressing]","description":"\u003cp data-mce-fragment=\"1\"\u003e180g 45RPM 2LP-Set Remastered from the Original Analog Tapes by Ryan Smith at Sterling Sound.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn the aftermath of World War II and the demise of the vast majority of swing bands and orchestras, Duke Ellington fared better than most. Owing to his skills as a composer, sometimes arranger, and skillful bandleader, he weathered the storm. At the other end of that storm, the LP era exploded, with opportunity for the kind of extended-length compositions and concepts that Duke and his collaborator Billy Strayhorn were moving toward, away from the three-minute confines of the 78 rpm era.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eComplicating matters was the impending departure of three key players (Johnny Hodges, Lawrence Brown, and drummer Sonny Greer), and a new sound that Duke was envisioning for his band, \"the most significant juncture in the band's 47 year history,\" Grammy Award-winning writer Loren Schoenberg notes. Ellington's relationship with Columbia in the LP era began with 1951's \u003cem data-mce-fragment=\"1\"\u003eMasterpieces by Ellington\u003c\/em\u003e, an excellent program of newly-recorded uncut concert arrangements of his familiar themes and one of the last with the aforementioned classic line-up. Includes extended takes on classics \"Mood Indigo,\" \"Sophisticated Lady,\" and \"Solitude\" plus the newer composition \"The Tattooed Bride.\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eMasterpieces By Ellington\u003c\/em\u003e shines from an astonishingly brief period of history that gave the recording industry two of its greatest achievements – the introduction of magnetic tape recording and the 33 1\/3 LP, or long-playing record. Now with Analogue Productions 45 RPM release, the best-sounding version of this historic album gives listeners an even richer sonic experience. The dead-quiet double-LP, with the music spread over four sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"Among the first recordings arranged and produced to take advantage of the LP's longer playing time...Freed from the 78rpm single's three-minute constraint, Ellington could score and record concert-length arrangements similar to those enjoyed by his concert audiences. Three of the four selections, including 'Mood Indigo' and 'Sophisticated Lady,' are familiar Ellington classics stretched and elasticized to luxurious effect. The harmonically saturated, transparent mono sound is astonishing for any era of recording.\" – Michael Fremer, Stereophile\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMusicians:\u003cbr data-mce-fragment=\"1\"\u003eDuke Ellington \/ Billy Strayhorn, piano\u003cbr data-mce-fragment=\"1\"\u003eMercer Ellington, flugelhorn\u003cbr data-mce-fragment=\"1\"\u003eCat Anderson \/ Andrew Ford \/ Harold Baker \/ Nelson Williams \/ Ray Nance, trumpet\u003cbr data-mce-fragment=\"1\"\u003eQuentin Jackson \/ Tyree Glenn \/ Lawrence Brown, trombone\u003cbr data-mce-fragment=\"1\"\u003eJohnny Hodges \/ Paul Gonsalves, alto saxophone\u003cbr data-mce-fragment=\"1\"\u003eJimmy Hamilton, clarinet\u003cbr data-mce-fragment=\"1\"\u003eRussell Procope, clarinet \u0026amp; alto saxophone\u003cbr data-mce-fragment=\"1\"\u003eWendell Marshall, bass\u003cbr data-mce-fragment=\"1\"\u003eSonny Greer, drums\u003cbr data-mce-fragment=\"1\"\u003eYvonne, vocals\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFeatures:\u003cbr data-mce-fragment=\"1\"\u003e• 180g 45rpm 2LP-set from Analogue Productions\u003cbr data-mce-fragment=\"1\"\u003e• Remastered from the original analog tapes by Ryan Smith at Sterling Sound\u003cbr data-mce-fragment=\"1\"\u003e• Plated \u0026amp; pressed at Quality Record Pressings\u003cbr data-mce-fragment=\"1\"\u003e• Gatefold old-school \"tip-on\" on jacket by Stoughton Printing\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Music Direct","offers":[{"title":"Default Title","offer_id":41820050915502,"sku":"753088441875","price":69.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/products\/dukemast45.jpg?v=1646933867"},{"product_id":"duke-ellington-charlie-mingus-max-roach-money-jungle-180g-blue-note-tone-poet-series-awaiting-repress","title":"Duke Ellington, Charlie Mingus, Max Roach - Money Jungle [180G\/ Remastered] (Blue Note Tone Poet Series)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eAll-Analog 180g Vinyl LP of Duke Ellington's\u003cem\u003e Money Jungle\u003c\/em\u003e Mastered from the Original Master Tapes by Kevin Gray \u0026amp; Pressed at RTI: Reference-Caliber Blue Note Reissue Helmed by Joe Harley\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOn September 17, 1962,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eDuke Ellington, Charles Mingus and Max Roach gathered at Sound Makers studio in NYC and recorded \u003cem data-mce-fragment=\"1\"\u003eMoney Jungle\u003c\/em\u003e, one of the most celebrated jazz trio albums of all time. Generational and stylistic differences between the three masters led to fearless music-making of the highest order. The album was originally released on United Artists and featured seven of Ellington's indelible compositions including \"Caravan,\" \"Solitude,\" and a stunning version of \"Le Fleurs Africaines (African Flower).\" By going back to the original analog stereo master the Tone Poet Edition presents this classic album with superior sound quality.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBlue Note Records has announced the continuation of the acclaimed Tone Poet Audiophile Vinyl Reissue Series in 2020. Launched in 2019 in honor of the label's 80th Anniversary, the Tone Poet series is produced by Joe Harley and features all-analog, 180g audiophile vinyl reissues that are mastered from the original master tapes by Kevin Gray of Cohearent Audio. Tone Poet vinyl is manufactured at RTI in Camarillo, CA, and packaged in deluxe Stoughton Printing \"Old Style\" gatefold Tip-On jackets. The titles were once again handpicked by Harley and cover the crème de la crème of the Blue Note catalog along with underrated classics, modern era standouts, and albums from other labels under the Blue Note umbrella including Pacific Jazz and United Artists Records. Every aspect of these Blue Note\/Tone Poet releases is done to the highest-possible standard. It means that you will never find a superior version.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"The LPs are mastered directly from the original analog master tapes by Kevin at his incredible facility called Cohearent Mastering. We go about it in the exact same way that we did for so many years for the Music Matters Blue Note reissues. We do not roll off the low end, boost the top or do any limiting of any kind. We allow the full glory of the original Blue Note masters to come though unimpeded! Short of having an actual time machine, this is as close as you can get to going back and being a fly on the wall for an original Blue Note recording session.\"\u003cbr data-mce-fragment=\"1\"\u003e- Joe Harley\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMusicians\u003c\/strong\u003e:\u003cbr data-mce-fragment=\"1\"\u003eDuke Ellington, piano\u003cbr data-mce-fragment=\"1\"\u003eCharles Mingus, bass\u003cbr data-mce-fragment=\"1\"\u003eMax Roach, drums\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFeatures\u003c\/strong\u003e:\u003cbr data-mce-fragment=\"1\"\u003e• Blue Note Tone Poet Series\u003cbr data-mce-fragment=\"1\"\u003e• Curated by Music Matters co-founder Joe Harley\u003cbr data-mce-fragment=\"1\"\u003e• Audiophile-quality 180g vinyl LP\u003cbr data-mce-fragment=\"1\"\u003e• All-analog mastering (direct from the master tapes) by Kevin Gray\u003cbr data-mce-fragment=\"1\"\u003e• Manufactured at Record Technology Incorporated\u003cbr data-mce-fragment=\"1\"\u003e• Deluxe gatefold jacket packaging\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMoney Jungle\u003cbr\u003eLe Fleurs Africaines (African Flower)\u003cbr\u003eVery Special\u003cbr\u003eWarm Valley\u003cbr\u003eWig Wise\u003cbr\u003eCaravan\u003cbr\u003eSolitude\u003c\/p\u003e","brand":"Music Direct","offers":[{"title":"Default Title","offer_id":41820050718894,"sku":"602508470691","price":42.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/products\/602508470691.jpg?v=1638587595"},{"product_id":"elvis-presley-from-elvis-in-memphis-180g-all-analogue-audiophile-pressing","title":"Elvis Presley - From Elvis in Memphis [180G\/All-Analogue Audiophile Pressing]","description":"\u003cdiv class=\"col-lg-3 desc-title\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-lg-9 desc-content\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis album represents one of the greatest musical comebacks in history. After dominating the charts and pop culture in the '50s, Elvis returned to the forefront of both with this album recorded in 1969 at America Sound Studios. Aside from a greatest hits package, this is the single greatest studio album from Elvis bar-none and features the incomparable hit single 'In The Ghetto'. A 'must have' recording!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e 1. Wearin' that Loved Look  \u003cbr data-mce-fragment=\"1\"\u003e 2. Only the Strong Survive  \u003cbr data-mce-fragment=\"1\"\u003e 3. I'll Hold You in My Heart  \u003cbr data-mce-fragment=\"1\"\u003e 4. Long Black Limousine  \u003cbr data-mce-fragment=\"1\"\u003e 5. It Keeps Right On A-Hurtin'  \u003cbr data-mce-fragment=\"1\"\u003e 6. I'm Movin On  \u003cbr data-mce-fragment=\"1\"\u003e 7. Power of My Love  \u003cbr data-mce-fragment=\"1\"\u003e 8. Gentle on My Mind  \u003cbr data-mce-fragment=\"1\"\u003e 9. After Loving You  \u003cbr data-mce-fragment=\"1\"\u003e10. 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In the Ghetto \u003c\/p\u003e\n\u003c\/div\u003e","brand":"AMS","offers":[{"title":"Default Title","offer_id":41820042166446,"sku":"4260019711977","price":34.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/products\/elvisinmemphis.jpg?v=1670454653"},{"product_id":"everclear-sparkle-and-fade-180g-remastered-audiophile-pressing","title":"Everclear - Sparkle and Fade [180G\/ Remastered\/ Audiophile Pressing]","description":"\u003cdiv id=\"aec-product-description\" class=\"col-md-12 col-sm-12 col-xs-12\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"aec-desc-review collapse\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA combination of the same classic '70s rock that drives Foo Fighters or Queens Of The Stone Age and the melodic punk that inspired Nirvana, Everclear emerged on the pop culture landscape as part of the wave The Pixies and Husker Dü ushered in, a time when abrasive guitars aligned with naked emotional expression to beat back the scourge of vapidity. Everclear shifted the culture alongside bands like Smashing Pumpkins, The Toadies and Weezer; all diverse acts who shared a forceful authenticity.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFrontman Art Alexakis has been candid about his past. His dad split when he was young. He and his mother lived in housing projects. He lost those closest to him to drugs and suicide and nearly lost himself in both, as well. This isn't the stuff of VH1's Behind The Music - this is the man's life pre-music, a life he's cracked open and explored in his art. It's there in \"Heroin Girl,\" from the band's platinum commercial breakthrough, \u003cem\u003eSparkle and Fade\u003c\/em\u003e (1995) and further hit singles \"Santa Monica,\" and \"Heartspark Dollar Sign,\" and it still resonates 20 years later.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"aec-musictabs\" class=\"ui-tabs ui-widget ui-widget-content ui-corner-all\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"mt-1\" aria-labelledby=\"MusicTracks\" class=\"ui-tabs-panel ui-widget-content ui-corner-bottom\" role=\"tabpanel\" aria-hidden=\"false\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"aec-jukebox\" class=\"tracksonly\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"jp-playlist tracksonly\" data-mce-fragment=\"1\"\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\u003c\/ul\u003e\n\u003cspan class=\"aec-tracknum\" data-mce-fragment=\"1\"\u003e1\u003c\/span\u003e Electra Made Me Blind\u003cbr\u003e\u003cspan class=\"aec-tracknum\" data-mce-fragment=\"1\"\u003e2\u003c\/span\u003e Heroin Girl\u003cbr\u003e\u003cspan class=\"aec-tracknum\" data-mce-fragment=\"1\"\u003e3\u003c\/span\u003e You Make Me Feel Like a Whore\u003cbr\u003e\u003cspan class=\"aec-tracknum\" data-mce-fragment=\"1\"\u003e4\u003c\/span\u003e Santa Monica\u003cbr\u003e\u003cspan class=\"aec-tracknum\" data-mce-fragment=\"1\"\u003e5\u003c\/span\u003e Summerland\u003cbr\u003e\u003cspan class=\"aec-tracknum\" data-mce-fragment=\"1\"\u003e6\u003c\/span\u003e Strawberry\u003cbr\u003e\u003cspan class=\"aec-tracknum\" data-mce-fragment=\"1\"\u003e7\u003c\/span\u003e Heartspark Dollarsign\u003cbr\u003e\u003cspan class=\"aec-tracknum\" data-mce-fragment=\"1\"\u003e8\u003c\/span\u003e The Twistinside\u003cbr\u003e\u003cspan class=\"aec-tracknum\" data-mce-fragment=\"1\"\u003e9\u003c\/span\u003e Her Brand New Skin\u003cbr\u003e\u003cspan class=\"aec-tracknum\" data-mce-fragment=\"1\"\u003e10\u003c\/span\u003e Nehalem\u003cbr\u003e\u003cspan class=\"aec-tracknum\" data-mce-fragment=\"1\"\u003e11\u003c\/span\u003e Queen of the Air\u003cbr\u003e\u003cspan class=\"aec-tracknum\" data-mce-fragment=\"1\"\u003e12\u003c\/span\u003e Pale Green Stars\u003cbr\u003e\u003cspan class=\"aec-tracknum\" data-mce-fragment=\"1\"\u003e13\u003c\/span\u003e Chemical Smile\u003cbr\u003e\u003cspan class=\"aec-tracknum\" data-mce-fragment=\"1\"\u003e14\u003c\/span\u003e My Sexual Life\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"AMS","offers":[{"title":"Default Title","offer_id":41820038234286,"sku":"684334915591","price":55.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/products\/e_b33bc39f-77ed-4e9f-9e32-235d71e746f5.jpg?v=1657555771"},{"product_id":"foghat-fool-for-the-city-180g-ltd-ed-numbered-mofi","title":"Foghat - Fool for the City [180G\/ Numbered\/ Ltd Ed] (MoFi)","description":"\u003cdiv data-mce-fragment=\"1\" id=\"description\" class=\"tab-pane fade active in\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMobile Fidelity Sound Labs audiophile180-gram LP\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003e1\/4\" \/ 15 IPS analog master to analog console to lathe\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eFoghat's fortunes turned around with their 1975 release\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eFool for the City\u003c\/em\u003e, which was their first album to go platinum and it introduced the band to Top 40 radio with the enduring rock favorite \"Slow Ride.\"\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eFool for the City\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003estill stands as the group's finest achievement and its well-crafted and ambitious set of tunes is the perfect representation of the road-tested band of '70s hard rock.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cspan style=\"font-size: 0.875rem;\"\u003e1 Fool for the City 4:32\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e2 My Babe 4:36\u003cbr\u003e3 Slow Ride 8:14\u003cbr\u003e4 Terraplane Blues 5:45\u003cbr\u003e5 Save Your Loving (For Me) 3:32\u003cbr\u003e6 Drive Me Home 3:56\u003cbr\u003e7 Take It or Leave It 4:55\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" id=\"tracks\" class=\"tab-pane fade active in\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Music Direct","offers":[{"title":"Default Title","offer_id":41820028371118,"sku":"821797129510","price":42.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/products\/foghatfoolmofi.jpg?v=1666724774"},{"product_id":"gil-evans-orchestra-the-out-of-the-cool-180g-acoustic-sounds-series-audiophile-pressing","title":"Gil Evans Orchestra, The - Out of the Cool [180G\/ Remastered] (Acoustic Sounds Series Audiophile Pressing)","description":"\u003cp\u003eMastered by Ryan K. Smith at Sterling Sound From Original Analog Tapes!\u003c\/p\u003e\n\u003cp\u003eSeeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' new audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\u003c\/p\u003e\n\u003cp\u003eA classic big-band album and one of the first-ever releases on the Impulse! label, this 1961 recording features a superb line-up including Jimmy Knepper on trombone, Ron Carter on bass and a fiery Elvin Jones on drums. Verve's Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.\u003c\/p\u003e\n\u003cp\u003eEach step in our production process - from title selection to mastering, pressing and packaging - is designed to meet the highest standards, and we want everyone who hears these albums to feel the love and hard work we put into everything we do, says Chad Kassem CEO of Acoustic Sounds.\u003c\/p\u003e\n\u003cp\u003eFEATURES:\u003cbr\u003eAll-Analog 180g Vinyl LP!\u003cbr\u003eRemastered \u0026amp; Pressed at Quality Record Pressings!\u003cbr\u003eAcoustic Sounds Series reissue from Verve\/Universal Music Enterprises\u003cbr\u003eMastered by Ryan K. Smith at Sterling Sound From Original Analog Tapes\u003cbr\u003eStoughton Printing gatefold old-style tip-on jacket\u003cbr\u003e\u003cem\u003eOUT OF THE COOL\u003c\/em\u003e\u003cbr\u003e \u003cbr\u003e1 La Nevada\u003cbr\u003e2 Where Flamingos Fly\u003cbr\u003e3 Bilbao Song\u003cbr\u003e4 Statusphunk\u003cbr\u003e5 Sunken Treasure\u003c\/p\u003e\n\u003c!----\u003e","brand":"AMS","offers":[{"title":"Default Title","offer_id":41820008579246,"sku":"602435439631","price":32.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/products\/602435439631.jpg?v=1638587005"},{"product_id":"grant-green-born-to-be-blue-180g-blue-note-tone-poet-series-awaiting-repress","title":"Grant Green - Born to Be Blue [180G\/ Remastered] (Blue Note Tone Poet Series)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eAll-Analog 180g Vinyl LP of Grant Green's \u003cem\u003eBorn To Be Blue\u003c\/em\u003e Mastered from the Original Master Tapes by Kevin Gray \u0026amp; Pressed at RTI: Reference-Caliber Blue Note Reissue Helmed by Audiophile Legend Joe Harley\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eProlific guitarist Grant Green and tenor saxophonist Ike Quebec recorded very few sessions together and undoubtedly one of the best is contained on the Blue Note gem \u003cem data-mce-fragment=\"1\"\u003eBorn To Be Blue\u003c\/em\u003e, captured in 1961-1962 but not released until 1985. Green, Quebec and pianist Sonny Clark were three musicians with much in common. They were all simple, direct players with strong melodic approaches and much rhythmic drive, as evidenced on this album. The material on \u003cem data-mce-fragment=\"1\"\u003eBorn To Be Blue \u003c\/em\u003econsists entirely of standards including two of the finer ballads played by jazz musicians and an unlikely piece from the soundtrack of an animated fairy tale. There's not a wasted note found throughout.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Blue Note brought Joe Harley (aka the \"Tone Poet\") on board to curate and supervise a series of reissues from its family of labels. Extreme attention to detail has been paid to getting these right in every conceivable way, from the deluxe gatefold jacket graphics and printing quality to superior mastering (all analog direct from the master tapes) by Kevin Gray to superb 180-gram audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note\/Tone Poet releases is done to the highest-possible standard. It means that you will never find a superior version.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"The LPs are mastered directly from the original analog master tapes by Kevin at his incredible facility called Cohearent Mastering. We go about it in the exact same way that we did for so many years for the Music Matters Blue Note reissues. We do not roll off the low end, boost the top or do any limiting of any kind. We allow the full glory of the original Blue Note masters to come though unimpeded! Short of having an actual time machine, this is as close as you can get to going back and being a fly on the wall for an original Blue Note recording session.\"\u003cbr data-mce-fragment=\"1\"\u003e- Joe Harley\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMusicians:\u003cbr data-mce-fragment=\"1\"\u003eGrant Green, guitar\u003cbr data-mce-fragment=\"1\"\u003eSonny Clark, piano\u003cbr data-mce-fragment=\"1\"\u003eIke Quebec, tenor saxophone\u003cbr data-mce-fragment=\"1\"\u003eSam Jones, bass\u003cbr data-mce-fragment=\"1\"\u003eLouis Hayes, drums\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFeatures:\u003cbr data-mce-fragment=\"1\"\u003e• Blue Note Tone Poet Series\u003cbr data-mce-fragment=\"1\"\u003e• Curated by Music Matters co-founder Joe Harley\u003cbr data-mce-fragment=\"1\"\u003e• Audiophile-quality 180g vinyl LP\u003cbr data-mce-fragment=\"1\"\u003e• All-analog mastering (direct from the master tapes) by Kevin Gray\u003cbr data-mce-fragment=\"1\"\u003e• Manufactured at Record Technology Incorporated\u003cbr data-mce-fragment=\"1\"\u003e• Deluxe gatefold jacket packaging\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSomeday My Prince Will Come\u003c\/li\u003e\n\u003cli\u003eBorn To Be Blue\u003c\/li\u003e\n\u003cli\u003eIf I Should Lose You\u003c\/li\u003e\n\u003cli\u003eBack In Your Own Backyard\u003c\/li\u003e\n\u003cli\u003eMy One And Only Love\u003c\/li\u003e\n\u003cli\u003eCount Every Star\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Music Direct","offers":[{"title":"Default Title","offer_id":41820001501358,"sku":"602577868443","price":42.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0599\/6118\/0334\/products\/GrantGreen-borntobeblue.jpg?v=1644450084"},{"product_id":"grant-green-nigeria-180g-blue-note-tone-poet-series","title":"Grant Green - Nigeria [180G\/ Remastered] (Blue Note Tone Poet Series)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eGrant Green’s \u003cem\u003eNigeria\u003c\/em\u003e is an underrated gem in the guitarist’s remarkable Blue Note catalog. Recorded in 1962, and released in 1980, the album features a top-shelf band with Sonny Clark on piano, Sam Jones on bass, and powerhouse Art Blakey on drums. The groove is deep right from the start, highlighting timeless renditions of the classic tracks. 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Longtime Deadheads and newcomers alike will hear significantly more information, experience wider and deeper soundstages, and become swept away by incredible tonal and vocal balances—traits made possible by the format's wider grooves. Instrumental melds and refined accents, such as guest David Nelson's nimble fills on \"Cumberland Blues,\" are part of a larger whole that gives the impression you are witness to the world's coziest campfire session. Frontier tales and refined performances further this feeling.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe first Grateful Dead album to eschew cosmic jams and complex signatures,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eWorkingman's Dead\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003estakes its existence to great songs, homespun warmth, and bare essentials. Its wistful, relaxed state—immediately apparent via the innocent album-opening invitation \"Will you come with me?\" on \"Uncle John's Band\"—owes to the circumstances and conditions surrounding its creation. At the time, the Dead owed a considerable financial debt to Warner Bros. and were hobbled by a recent drug bust and financial scandal. Most significantly, the band was recovering from—and reacting to—the tragic events of the Altamont Music Festival and symbolic end of the peace and love era.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAs such,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eWorkingman's Dead\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eacts as a retreat from chaos and uncertainty, its songs emblems of simpler times and pleas for compassion in the face of hardship. 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Taught by Crosby, Stills and Nash, the Dead produce live \"air blends\" of multi-part vocal harmonies that provide the foundations of nearly every track. \"Uncle John's Band,\" \"High Time,\" \"New Speedway Boogie\" (with the iconic refrain \"One way or another\/This darkness has got to give\" referencing the ill wind that greeted the new decade), and the radio favorite \"Casey Jones\" practically float on the ensemble's communal vocal beds.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMobile Fidelity's 45RPM edition renders these invigorating, refreshing, and engaging characteristics in three-dimensional sound that transports you to the event. Recordings don't get more lifelike.\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eWorkingman's Dead\u003c\/em\u003e—an iconic, ageless record that drew countless listeners to the band's unique style because of its accessibility and charm—deserves nothing less. 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